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CRITÈRES : Recorder Sonata in B flat major (Fitzwilliam Sonata I), HWV 377 (1) (Haendel, Georg Friedrich)

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Sonata in Bb Major for Flute & Strings
HWV 377
Georg Friedrich Haendel
Flûte et Quatuor à cordes

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VoirPDF : Sonata in Bb Major (HWV 377) for Flûte & Strings (18 pages - 630.02 Ko)30x⬇

VoirPDF : Conducteur complet (496.51 Ko)

VoirPDF : Violon 1 (73.37 Ko)

VoirPDF : Flûte (87.55 Ko)

VoirPDF : Alto (72.46 Ko)

VoirPDF : Violoncelle (77.46 Ko)

VoirPDF : Violon 2 (72.06 Ko)

MP3 : Sonata in Bb Major (HWV 377) for Flute & Strings 8x⬇ 38x

Sonata in Bb Major for Flute & Strings

MP3 (5.11 Mo) : (par MAGATAGAN, MICHAEL)6x⬇ 6x

MP3

Vidéo :

Compositeur	Haendel, Georg Friedrich (1685 - 1759)
Instrumentation	Flûte et Quatuor à cordes
Genre	Baroque
Tonalité :	Si♭ majeur
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 28 Aoû 2023
Georg Friedrich Händel (1685 – 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic chora...(+) Georg Friedrich Händel (1685 – 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. This is assumed to be a recorder sonata because of its range, but Handel failed to specify a solo instrument. It falls into three brief movements, all of which would be recycled into other works. The opening Allegro, which is a courante in all but name, would become the second Allegro in the overture to Scipione. It features an active yet graceful melodic line, which barely gives the recorder player a moment to breathe. The somber Adagio would find its way into the third movement of Handel's Organ Concerto Op. 4/4. The concluding Allegro, with its particularly busy harpsichord part, provides a sparkling end to the sonata; it would soon be recast as the finale of the Violin Sonata in A, Op. 1/3. Source: Wikipedia (https://en.wikipedia.org/wiki/Flute_sonata_in_B_flat_m ajor_(HWV_377)). Although originally written for Flute & Continuo, I created this Interpretation of the Sonata in Bb Major (HWV 377) for Flute & Strings (2 Violins, Viola & Cello).

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Flûte et Quatuor à cordes

Baroque