 | Mendelssohn Bartholdy, Felix - "Aus tiefer Noth schrei' ich zu dir" for String Quartet Op. 23 No. 1 Quatuor à cordes |
VoirPDF : "Aus tiefer Noth schrei' ich zu dir" (Op. 23 No. 1) for String Quartet (22 pages - 457.76 Ko)23x⬇ VoirPDF : Violoncelle (102.72 Ko) VoirPDF : Alto (109.92 Ko) VoirPDF : Violon 1 (101 Ko) VoirPDF : Violon 2 (112.92 Ko) VoirPDF : Conducteur complet (242.76 Ko) MP3 : "Aus tiefer Noth schrei' ich zu dir" (Op. 23 No. 1) for String Quartet 8x⬇ 41x
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| Compositeur : | Mendelssohn Bartholdy, Felix (1809 - 1847) | ||
| Instrumentation : | Quatuor à cordes | ||
| Genre : | Romantique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 08 Sep 2023 Jakob Ludwig Felix Mendelssohn Bartholdy (1809 – 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early romantic period. Mendelssohn wrote symphonies, concertos, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the romantic era. Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatoire, which he founded, became a bastion of this anti-radical outlook. The Three Sacred Choruses, Op 23, were composed shortly after Mendelssohn’s arrival in Rome in November 1830 and directly in response to one of his first visits to the Vatican City. The twenty-one-year-old composer reported enthusiastically to his family that each morning he would play, sing and compose before setting off on sight-seeing trips around the Italian capital. Musically, however, he was decidedly underwhelmed, bemoaning the prevailing standards of orchestral playing as ‘worse than anyone can possibly imagine’. The singing he heard also apparently left a lot to be desired. The first of the Three Sacred Choruses, Aus tiefer Not, is structured in five sections, four of which are unaccompanied and built on the main chorale theme. The central third—itself a paraphrase of the chorale—is accompanied and cast in Mendelssohn’s flowing, lyrical style, in stark contrast to the neo-Bachian music (most notably the fugal second movement) by which it is surrounded. Source: Wikipedia (https://en.wikipedia.org/wiki/Aus_tiefer_Not_schrei_ic h_zu_dir). Although originally composed for Chorus (SATB), I created this Interpretation of the "Aus tiefer Noth schrei' ich zu dir" (from deep affliction I cry out to you) from "Kirchenmusik" (Church Music Op. 23 No. 1) for String Quartet (2 Violins, Viols & Cello). | |||
