 | Haydn, Johann Michael - "Tristis est anima mea" for Winds & Strings MH 276 No. 2 Vents & Orchestre Cordes |
VoirPDF : "Tristis est anima mea" (MH 276) for Winds & Strings (10 pages - 156.9 Ko)113x⬇ VoirPDF : Violoncelle (55.17 Ko) VoirPDF : Alto (55.84 Ko) VoirPDF : Violon 1 (56.22 Ko) VoirPDF : Violon 2 (55.66 Ko) VoirPDF : Basson (54.85 Ko) VoirPDF : English Cor (55.07 Ko) VoirPDF : Flûte (55.48 Ko) VoirPDF : Hautbois (54.82 Ko) VoirPDF : Conducteur complet (105.57 Ko) MP3 : "Tristis est anima mea" (MH 276) for Winds & Strings 11x⬇ 198x
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| Compositeur : | Haydn, Johann Michael (1737 - 1806) | ||
| Instrumentation : | Vents & Orchestre Cordes | ||
| Genre : | Classique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 10 Mai 2020 Johann Michael Haydn (1737 – 1806) was an Austrian composer of the Classical period, the younger brother of Franz Joseph Haydn. He was born in the Austrian village of Rohrau, near the Hungarian border. His father was Mathias Haydn, a wheelwright who also served as "Marktrichter", an office akin to village mayor. Haydn's mother Maria, née Koller, had previously worked as a cook in the palace of Count Harrach, the presiding aristocrat of Rohrau. Mathias was an enthusiastic folk musician, who during the journeyman period of his career had taught himself to play the harp, and he also made sure that his children learned to sing. Michael went to Vienna at the age of eight, his early professional career path being paved by his older brother Joseph, whose skillful singing had landed him a position as a boy soprano in the St. Stephen's Cathedral, Vienna choir under the direction of Georg Reutter, as were Johann Georg Albrechtsberger and Franz Joseph Aumann, both composers with whom Haydn later traded manuscripts. By Michael's 12th birthday he was earning extra money as a substitute organist at the cathedral and had, reportedly, performed preludes and fantasies of his own composition. About 1753, he left the choir school because of the break of his voice. In 1760 Michael was appointed Kapellmeister at Großwardein (today Oradea) and later, in 1762, was appointed concertmaster at Salzburg, where he remained for 44 years, during which he wrote over 360 compositions comprising both church and instrumental music. From their mutual sojourn in Salzburg, Haydn was acquainted with Mozart, who held his work in high esteem. On 17 August 1768 he married singer Maria Magdalena Lipp (1745–1827); their only child, a daughter (Aloisia Josepha, born 31 January 1770) died just short of her first birthday, on 27 January 1771. Although Lipp was disliked by the women in Mozart's family for some reason, she still created the role of Barmherzigkeit (Divine Mercy) in Mozart's first musical play, Die Schuldigkeit des ersten Gebots ("The Obligation of the First Commandment"), 1767, and later the role of Tamiri in his short pastoral opera Il re pastore of 1775. Michael remained close to Joseph all of his life. Joseph regarded his brother's music highly, to the point of feeling Michael's religious works were superior to his own (possibly for their devotional intimacy, as opposed to Joseph's monumental and majestic more secularized symphonic style). In 1802, when Michael was "offered lucrative and honourable positions" by "both Esterházy and the Grand Duke of Tuscany," he wrote to Joseph in Vienna asking for advice on whether or not to accept any of them, but in the end chose to stay in Salzburg. Michael and Maria Magdalena Haydn named their daughter Aloisia Josepha (who was always called Aloisia) not in honor of Michael's brother, but after Josepha Daubrawa von Daubrawaick, who substituted as godmother at the baptism for Countess de Firmian. Haydn was a prolific composer of secular music, including forty symphonies and wind partitas, and multiple concertos and chamber music including a string quintet in C major was once thought to have been by his brother Joseph. There was another case of posthumous mistaken identity involving Michael Haydn: for many years, the G major symphony now known to be Michael Haydn's Symphony No. 25 was thought to be Mozart's Symphony No. 37 and assigned as K. 444. The confusion arose because an autograph was discovered with the opening movement of the symphony in Mozart's hand and the rest in another's hand. It is now known that Mozart composed the slow introduction to the first movement but the rest of the work is by Michael. As a result, this work, which had been quite widely played when thought to be a Mozart symphony, has been performed considerably less often since this discovery in 1907. Source: Wikipedia (https://en.wikipedia.org/wiki/Michael_Haydn). Although originally composed for Chorus (SATB), Trumpets, Percussion, Violins & Continuo, I created this Interpretation of the "Tristis est anima mea" (Sad is my Soul MH 276) for Winds (Flute, Oboe, English Horn & Bassoon) & Strings (2 Violins, Viola & Cello). | |||
