 | Bruckner, Joseph Anton - Der Abendhimmel for Viola Trio & Cello WAB 55 Quatuor à cordes : 3 altos et violoncelle |
VoirPDF : "Der Abendhimmel" (WAB 55) for Viola Trio & Cello (6 pages - 141.23 Ko)29x⬇ VoirPDF : Violoncelle (62.53 Ko) VoirPDF : Alto 2 (62.82 Ko) VoirPDF : Alto 3 (63.08 Ko) VoirPDF : Alto 1 (63.68 Ko) VoirPDF : Conducteur complet (94.81 Ko) MP3 : "Der Abendhimmel" (WAB 55) for Viola Trio & Cello 3x⬇ 21x
Der Abendhimmel for Viola Trio & Cello
MP3 (1.34 Mo) : (par MAGATAGAN, MICHAEL)1x⬇ 5x
Vidéo :
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| Compositeur : | Bruckner, Joseph Anton (1824 - 1896) | ||
| Instrumentation : | Quatuor à cordes : 3 altos et violoncelle | ||
| Genre : | Romantique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 24 Janv 2024 Josef Anton Bruckner (1824 – 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. His compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler. Der Abendhimmel ("The evening sky"), WAB 55, is a song composed by Anton Bruckner in 1862. Bruckner composed this first setting of "evening song" Der Abendhimmel in January 1862. He used for the composition a text of Joseph Christian von Zedlitz, which he would also use for a second setting of the song in 1866. Bruckner dedicated the song to the men's quartet Anton Munsch [Anton Munsch (1st tenor), Anton Stiefler (2nd tenor), Eduard Benoni (1st bass) and Mathias Weissmann (2nd bass)]. The piece was performed first in a transcription for men's choir by the Liedertafel Frohsinn on 4 July 1900. The commentator of the Linzer Zeitung (7 July 1900) wrote over a eine herrliche Schöpfung unseres heimischen Meisters Dr. Anton Bruckner (a wonderful composition of our national master Dr. Anton Bruckner). The original manuscript is stored in the archive of Österreichische Nationalbibliothek. It was first issued in Band III/2, pp. 18–20 of the Göllerich/Auer biography. It is issued in Band XXIII/2, No. 15 of the Gesamtausgabe. Source: Wikipedia (https://en.wikipedia.org/wiki/Der_Abendhimmel,_WAB_55) . Although originally created for Male Chorus (TTBB), I created this Interpretation of Der Abendhimmel ("The evening sky" WAB 55) for Viola Trio & Cello. | |||
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