↪ I have spent quite a lot of time switching from one soundfont to another since musescore 1, it's good to confirm that the computer's try isn't too bad.

There's an "A" idea which leads the entire piece, with 3 other main ideas following it and fusing together at the end, or that is what I tried.

It is not surprising that this does not sound like a nocturne (though I wouldn't qualify it as my "least nocturnal" piece in this set), it definitely doesn't resemble one from what I know. The only things that make me call it a nocturne are:
- I made it at night mostly.
- It reminds me various scenes and moments in which people to whom I've dedicated nocturnes meet and have a last chat before all that matters disappear, destroyed by a bright, giant and lethal falling comet.
- It concludes in a single movement and has no separation in parts unlike sonatas or waltzes correspondingly.

I am more or less sure that this would never seriously justify my work to be called a nocturne. Many of those which I published under that title here wouldn't be either, but I believe I have strong reasons to call them all nocturnes. The next one I'm uploading is probably even less "nocturne-like"... And 22 & 23 aren't too much of that either, hehe, at least according to the historical perspective.

Thank you for the feedback, Paul!