 | Widor, Charles Marie - Adagio from the Symphony No. 5 in F Major for Wind Quintet Op. 42. No. 1 Mvt. 4 Flute, Hautbois, Cor anglais, Cor et Basson |
VoirPDF : Adagio from the Symphony No. 5 in F Major (Op. 42. No. 1 Mvt. 4) for Wind Quintet (8 pages - 299.38 Ko)17x⬇ VoirPDF : Basson (61.18 Ko) VoirPDF : English Cor (69.29 Ko) VoirPDF : Flûte (67.49 Ko) VoirPDF : French Cor (66.99 Ko) VoirPDF : Hautbois (70.03 Ko) VoirPDF : Conducteur complet (218.01 Ko) MP3 : Adagio from the Symphony No. 5 in F Major (Op. 42. No. 1 Mvt. 4) for Wind Quintet 2x⬇ 29x
Adagio from the Symphony No. 5 in F Major for Wind Quintet
MP3 (3.59 Mo) : (par MAGATAGAN, MICHAEL)8x⬇ 8x
Vidéo :
![]()
![]()
![]()
| Compositeur : | Widor, Charles Marie (1844 - 1937) | ||||
| Instrumentation : | Flute, Hautbois, Cor anglais, Cor et Basson | ||||
| Genre : | Classique | ||||
| Tonalité : | Fa majeur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 24 Déc 2023 Charles-Marie-Jean-Albert Widor (1844 – 1937) was a French organist, composer and teacher of the late Romantic era. As a composer he is known for his ten organ symphonies, especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations. As of 2022, he is the longest-serving organist of Saint-Sulpice in Paris, a role he held for 63 years (January 1870 – 31 December 1933). He also was organ professor at the Paris Conservatory from 1890 to 1896 (following César Franck) and then he became professor of composition at the same institution, following Théodore Dubois. Widor was a prolific composer, writing music for organ, piano, voice and ensembles. Apart from his ten organ symphonies, he also wrote three symphonies for orchestra and organ, several songs for piano and voice, four operas and a ballet. He was one of the first composers to use the term "symphony" for some of his organ compositions, helped in this by the organs built by Aristide Cavaillé-Coll. Widor's best-known piece for the organ is the final movement of his Symphony for Organ No. 5, a toccata, which is often played as a recessional at wedding ceremonies and at the close of the Christmas Midnight Mass at Saint Peter's Basilica, Vatican City. Although the Fourth Symphony also opens with a Toccata, it is in a dramatically different (and earlier) style. The Toccata from Symphony No. 5 is the first of the toccatas characteristic of French Romantic organ music, and served as a model for later works by Gigout, Boëllmann, Mulet, Vierne and Dupré. Widor was pleased with the worldwide renown this single piece afforded him, but he was unhappy with how fast many other organists played it. Widor himself always played the Toccata rather deliberately. Many organists play it at a very fast tempo whereas Widor preferred a more controlled articulation to be involved. He recorded the piece, at St. Sulpice in his eighty-ninth year; the tempo used for the Toccata is quite slow. Isidor Philipp transcribed the Toccata for two pianos. Source: Wikipedia (https://en.wikipedia.org/wiki/Charles-Marie_Widor). Although originally written for Pipe Organ, I created this Interpretation of the Adagio from the Symphony No. 5 in F Major (Op. 42. No. 1 Mvt. 4) for Wind Quintet (Flute, Oboe, English Horn, French Horn & Bassoon). Partition centrale : | Symphonie pour Orgue No.5 (8 partitions) | | |||
