 | Turlough O'Carolan - "Lament for Owen Roe O'Neill" for Strings & Harp Violon, Alto, Violoncelle et Harpe |
VoirPDF : "Lament for Owen Roe O'Neill" for Strings & Harp (3 pages - 275.52 Ko)405x⬇ MP3 : "Lament for Owen Roe O'Neill" for Strings & Harp 34x⬇ 495x
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| Compositeur : | Turlough O'Carolan (1670 - 1738) | ||
| Instrumentation : | Violon, Alto, Violoncelle et Harpe | ||
| Genre : | Celtique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 15 Jun 2019 Turlough O'Carolan (1670-1738) was a blind Celtic harper, composer and singer in Ireland whose great fame is due to his gift for melodic composition. Often called “the last of the Irish Bards”, even though there were traditional Irish harpers living as late as 1792. Carolan is considered a national treasure — his compositions are still often played during a session and are also highly regarded. Focusing on Carolan’s works first will bring you high rewards as a player. By the way, though it is correct to say “Turlough O’Carolan” when giving the full name, when no first name is given one should simply refer to him as “Carolan.”. Although not a composer in the classical sense, Carolan is considered by many to be Ireland's national composer. Harpers in the old Irish tradition were still living as late as 1792, and ten, including Arthur O'Neill, Patrick Quin and Donnchadh Ó Hámsaigh, attended the Belfast Harp Festival. Ó Hámsaigh did play some of Carolan's music but disliked it for being too modern. Some of Carolan's own compositions show influences of the style of continental classical music, whereas others such as Carolan's Farewell to Music reflect a much older style of "Gaelic Harping". Owen Roe O'Neill (c.1585-1649), a member of the O'Neill dynasty of Ulster, was a veteran soldier who had spent most of his life serving as a mercenary in the Spanish Army. Following the Irish Rebellion of 1641 in which Catholics rose up to assert their rights while pledging their allegiance to Charles I, O'Neill returned to Ireland. During the ensuing Irish Confederate Wars he commanded the Ulster Army, mostly campaigning against the Scottish Covenanter Army who he defeated at the Battle of Benburb. Following the execution of Charles I in 1649 and the declaration of the English Commonwealth, the Irish Confederates and the Covenanters united in a new alliance under his son Charles II. In the face of a potential landing by a large expedition of English troops, O'Neill quarreled with his rival Catholic commanders and refused to accept the Treaty. He instead began co-operation with local English troops under Sir Charles Coote, assisting them during the Siege of Derry. "The Lament for Owen Roe" AKA – "Uaill Cuma Eogan Ruaid Ua Niall." Irish, Slow Air (4/4 time) in G Dorian, was composed by O'Carolan or at least attributed to him by several authorities, including Hardiman (Irish Minstrelsy, London, 1831), Bunting (in General Collection of the Ancient Irish Music, Dublin, 1796), Clinton (Gems of Ireland, London, 1841) and Francis O'Neill (Waifs and Strays of Gaelic Melody), on stylistic terms. O'Sullivan (1958) records that (according to Mulloy MacDermott) O'Carolan composed the piece at the request of Charles O'Conor of Belanagare. Gratten Flood, however, in his History of Irish Music (Dublin, 1905), says that the Owen Roe's "glorious" lament was composed soon after his death, in 1649, predating O'Carolan's birth by a score of years. Owen Roe O'Neill (1582–1649), or, in Irish, Eoghan Rua Ó Neill, was a member of the noble O'Neill family of County Tyrone who as a youth left Ireland for military service on the Continent. He fought in Netherlands and distinguished himself as an officer in service with the Spanish, but in 1642 at the age of 60 he returned to Ireland and helped to mastermind the rebellion against the Stuart regime called the Confederation of Kilkenny. O'Neill won an important victory at Benburb in 1646, but died three years later of an illness at Cloughouter, County Cavan, just before he was to campaign against Oliver Cromwell's Roundheads. It has long been maintained in tradition that O'Neill was in fact poisoned at the hands of a woman who placed the toxin in his shoes before a banquet. O'Neill danced vigourously at the affair for several hours, causing the substance to be absorbed into his skin, leading to his death several days later. O'Sullivan says he was the only Irish leader able to cope with the Cromwellian invasion, and that his death was a national catastrophe. Source: Tune Archive (https://tunearch.org/wiki/Annotation:Lament_for_Owen_R oe_O%27Neill). Although originally composed for Traditional Irish Instruments, I created this interpretation of the "Lament for Owen Roe O'Neill" for Strings (Violin, Viola & Cello) & Celtic or Concert (Pedal) Harp. Download the sheet music here: https://musescore.com/user/13216/scores/5609530 | |||
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