VIOLONPachelbel, Johann
Pachelbel, Johann - "Ein feste Burg ist unser Gott" in D Major for String Quartet
T. 31 P. 106
Quatuor à cordes


VoirPDF : "Ein feste Burg ist unser Gott" (T. 31 P. 106) in D Major for String Quartet (11 pages - 234.26 Ko)38x
VoirPDF : Alto (69.31 Ko)
VoirPDF : Violon 1 (83.36 Ko)
VoirPDF : Violon 2 (76.58 Ko)
VoirPDF : Conducteur complet (147.65 Ko)
VoirPDF : Violoncelle (61.13 Ko)
MP3 : "Ein feste Burg ist unser Gott" (T. 31 P. 106) in D Major for String Quartet 6x 52x
Ein feste Burg ist unser Gott in D Major for String Quartet
MP3 (2.57 Mo) : (par MAGATAGAN, MICHAEL)5x 9x
MP3
Vidéo :
Compositeur :
Johann Pachelbel
Pachelbel, Johann (1653 - 1706)
Instrumentation :

Quatuor à cordes

Genre :

Baroque

Tonalité :Ré majeur
Arrangeur :
Editeur :
Johann Pachelbel
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 16 Sep 2023

Johann Pachelbel (1653 - 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era. His music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.

He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

A Mighty Fortress Is Our God" (originally written in the German language with the title "Ein feste Burg ist unser Gott") is one of the best known hymns by the Protestant Reformer Martin Luther, a prolific hymnwriter. Luther wrote the words and composed the hymn tune between 1527 and 1529. It has been translated into English at least seventy times and also into many other languages. The words are mostly original, although the first line paraphrases that of Psalm 46. The hymn has been used by numerous composers, including Johann Sebastian Bach. There is a version for organ, BWV 720, written early in his career, possibly for the organ at Divi Blasii, Mühlhausen. He used the hymn as the basis of his chorale cantata Ein feste Burg ist unser Gott, BWV 80 written for a celebration of Reformation Day. Bach also set the tune twice in his Choralgesänge (Choral Hymns), BWV 302 and BWV 303 (for four voices). Two orchestrations of Bach's settings were made by conductors Leopold Stokowski and Walter Damrosch. Dieterich Buxtehude also wrote an organ chorale setting (BuxWV 184), as did Johann Pachelbel. George Frideric Handel used fragments of the melody in his oratorio Solomon. Georg Philipp Telemann also made a choral arrangement of this hymn and prominently used an extract of the verses beginning Mit unsrer Macht ist nichts getan in his famous Donnerode

Source: Wikipedia (https://en.wikipedia.org/wiki/A_Mighty_Fortress_Is_Our _God).

Although originally composed for Organ, I created this Interpretation of "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God" T. 31 P. 106) in D Major for String Quartet (2 Violins, Viola & Cello).
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