 | Schubert, Franz Peter - Impromptu in G-Flat Major for Flute & Strings D.899 Op. 90 No. 3 Flute et Harpe |
VoirPDF : Impromptu in G? Major (D.899 Op. 90 No. 3) for Flûte & Harp (23 pages - 617.42 Ko)28x⬇ VoirPDF : Conducteur complet (480.96 Ko) VoirPDF : Flûte (73.75 Ko) VoirPDF : Harpe (171.51 Ko) MP3 : Impromptu in G? Major (D.899 Op. 90 No. 3) for Flute & Harp 5x⬇ 53x
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| Compositeur : | Schubert, Franz Peter (1797 - 1828) | ||||
| Instrumentation : | Flute et Harpe | ||||
| Genre : | Classique | ||||
| Tonalité : | Do majeur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 11 Oct 2023 Franz Peter Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art song "Erlkönig", the Piano Trout Quintet in A major, the unfinished Symphony No. 8 in B minor, the "Great" Symphony No. 9 in C major, a String Quintet, the three last piano sonatas, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin and Winterreise. He was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his short life. The largest number of his compositions are songs for solo voice and piano (roughly 630). Schubert also composed a considerable number of secular works for two or more voices, namely part songs, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three concertante works for violin and orchestra. Schubert wrote a large body of music for solo piano, including eleven incontrovertibly completed sonatas and at least eleven more in varying states of completion, numerous miscellaneous works and many short dances, in addition to producing a large set of works for piano four hands. He also wrote over fifty chamber works, including some fragmentary works. Schubert's sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. He completed only eleven of his twenty stage works. Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839 (with a dedication added by the publisher to Franz Liszt). The third and fourth pieces in the first set were published in 1857 (although the third piece was printed by the publisher in G major, instead of G? as Schubert had written it, and remained available only in this key for many years). The two sets are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre. Three other unnamed piano compositions (D. 946), written in May 1828, a few months before the composer's death, are known as both "Impromptus" and Klavierstücke ("piano pieces"). The Impromptus are often considered companion pieces to the Six moments musicaux, and they are often recorded and published together. It has been said that Schubert was deeply influenced in writing these pieces by the Impromptus, Op. 7 (1822) of Jan Václav Vo?íšek and by the music of Vo?íšek's teacher Václav Tomášek. Four Impromptus (D. 899 Op. 90): The first set was composed in 1827, though only the first two were published during Schubert's lifetime. The first Impromptu in C minor blends elements of sonata, variation, and through-composed structures. The second Impromptu in E? major is a swift "moto perpetuo" with a ternary design. The third Impromptu is a flowing and meditative piece in G? major, characterized by long melodic lines and unbroken triadic accompaniment. The fourth and final Impromptu, in A? major, starts in A? minor and is characterized by cascading arpeggios and a chordal response Source: Wikipedia (https://en.wikipedia.org/wiki/Impromptus_(Schubert)) Although originally composed for Solo Piano, I created this Interpretation of the Impromptu in G? Major (D.899 Op. 90 No. 3) for Flute & Concert (Pedal) Harp. Partition centrale : | 4 Impromptus (29 partitions) | | |||
