 | Mendelssohn Bartholdy, Felix - Intermezzo from "A Midsummer Night's Dream" for Winds & Strings Op. 61 No. 5 Vents & Orchestre Cordes |
VoirPDF : Intermezzo from "A Midsummer Night's Dream" (Op. 61 No. 5) for Winds & Strings (21 pages - 767.95 Ko)20x⬇ VoirPDF : Bass (67.48 Ko) VoirPDF : Basson (66.07 Ko) VoirPDF : Bb Clarinette (88.08 Ko) VoirPDF : Violoncelle (70.45 Ko) VoirPDF : Flûte (81.57 Ko) VoirPDF : French Cor (69.91 Ko) VoirPDF : Hautbois (81.39 Ko) VoirPDF : Alto (70.54 Ko) VoirPDF : Violon 1 (86.87 Ko) VoirPDF : Violon 2 (71.4 Ko) VoirPDF : Conducteur complet (549.17 Ko) MP3 : Intermezzo from "A Midsummer Night's Dream" (Op. 61 No. 5) for Winds & Strings 8x⬇ 46x
Intermezzo from A Midsummer Nights Dream for Winds & Strings
MP3 (2.32 Mo) : (par MAGATAGAN, MICHAEL)6x⬇ 7x
Vidéo :
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| Compositeur : | Mendelssohn Bartholdy, Felix (1809 - 1847) | ||||
| Instrumentation : | Vents & Orchestre Cordes | ||||
| Genre : | Romantique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 14 Sep 2023 Jakob Ludwig Felix Mendelssohn Bartholdy (1809 – 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early romantic period. Mendelssohn wrote symphonies, concertos, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the romantic era. Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatoire, which he founded, became a bastion of this anti-radical outlook. On two occasions, Felix Mendelssohn composed music for William Shakespeare's play A Midsummer Night's Dream (in German Ein Sommernachtstraum). First in 1826, near the start of his career, he wrote a concert overture (Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous "Wedding March". Mendelssohn wrote the incidental music, Op. 61, for A Midsummer Night's Dream in 1842, 16 years after he wrote the overture. It was written to a commission from King Frederick William IV of Prussia. Mendelssohn was by then the music director of the King's Academy of the Arts and of the Leipzig Gewandhaus Orchestra.[7] A successful presentation of Sophocles' Antigone on 28 October 1841 at the New Palace in Potsdam, with music by Mendelssohn (Op. 55) led to the King asking him for more such music, to plays he especially enjoyed. A Midsummer Night's Dream was produced on 14 October 1843, also at Potsdam. The producer was Ludwig Tieck. This was followed by incidental music for Sophocles' Oedipus at Colonus (Potsdam, 1 November 1845; published posthumously as Op. 93) and Jean Racine's Athalie (Berlin, 1 December 1845; Op. 74). The overture is scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, ophicleide, timpani and strings. The ophicleide part was originally written for English bass horn ("corno inglese di basso"), which was also used at the first performance; the composer subsequently replaced this instrument with the ophicleide in the first published edition. The incidental music adds a third trumpet, three trombones, triangle, cymbals, soprano, mezzo-soprano and women's chorus to this scoring. Source: Wikipedia (https://en.wikipedia.org/wiki/A_Midsummer_Night%27s_Dr eam_(Mendelssohn)). Although originally composed for Orchestra, I created this Interpretation of the Intermezzo from "Ein Sommernachtstraum" (A Midsummer Night's Dream Op. 61 No. 5) for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) & Strings (2 Violins, Viola, Cello & Bass). Partition centrale : | Le Songe d’une nuit d’été (Ein Sommernachtstraum) (63 partitions) | | |||
