 | Royer, Joseph Nicolas Pancrace - "La Sensible" from "Pièces de Clavecin" for Harp Harpe |
VoirPDF : "La Sensible" from "Pièces de Clavecin" for Harp (2 pages - 101.89 Ko)11x⬇ MP3 : "La Sensible" from "Pièces de Clavecin" for Harp 1x⬇ 18x
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| Compositeur : | Royer, Joseph Nicolas Pancrace (1705 - 1755) | ||
| Instrumentation : | Harpe | ||
| Genre : | Baroque | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 22 Mai 2024 Joseph-Nicolas-Pancrace Royer (ca. 1705 – 1755) was a French composer and harpsichordist. Born in Turin, Royer went to Paris in 1725, and in 1734 became maître de musique des enfants de France, responsible for the musical education of the children of the king, Louis XV. Together with the violinist Jean-Joseph Cassanéa de Mondonville, Royer directed the Concert Spirituel, starting in 1748. Royer was at the Paris Opéra during the 1730s and the 1750s, writing six operas himself, of which the best known is the ballet-héroïque Zaïde, reine de Grenade. In 1753 he acquired the prestigious position of music director of the chambre du roi (the king's chamber), and in the same year was named director of the Royal Opera orchestra. He died in Paris. Royer is particularly known for his often extravagant and virtuosic harpsichord music, especially "La Marche des Scythes," which ends his first book of harpsichord pieces. Why the harpsichord works of Pancrace Royer are not performed more often is a mystery. His one book of Pièces de clavecin, published in 1746, is full of spark and variety, ranging from the dulcet “La Zaïde” to the robust jollity of “Les matelots”, and from the eloquence of “La Sensible” to the dizzyingly quirky virtuosity of “Le vertigo”. And while it is Rameau who rightly dominates our knowledge of the musical times in which Royer lived as harpsichord teacher to Louis XV’s daughters, composer of operas and director of Paris’s prestigious Concert Spirituel, as a keyboard composer in the imaginative, full-bodied mould of someone like Forqueray, Royer need not be considered as totally blotted out by the more famous composer’s shadow. In music theory, a leading-note (La Sensible) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, the leading tone refers to the seventh scale degree of a major scale (scale degree 7), a major seventh above the tonic. In the movable do solfège system, the leading-tone is sung as ti. A leading-tone triad is a triad built on the seventh scale degree in a major key (viio), while a leading-tone seventh chord is a seventh chord built on the seventh scale degree (either viiø7 or viiø7). Source: Wikipedia (https://en.wikipedia.org/wiki/Leading-tone). Although originally scored for Harpsichord, I created this Interpretation of the "La Sensible" from "Pièces de Clavecin" for Concert (Pedal) Harp. | |||
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