 | Schumann, Robert - "Fantasiestücke" for Oboe & Strings Op. 73 No. 1 Hautbois, Quatuor à cordes |
VoirPDF : "Fantasiestücke" (Op. 73 No. 1) for Oboe & Strings (12 pages - 357.54 Ko)24x⬇ VoirPDF : Violoncelle (70.72 Ko) VoirPDF : Hautbois (71.4 Ko) VoirPDF : Alto (87.57 Ko) VoirPDF : Violon 1 (85.63 Ko) VoirPDF : Violon 2 (99.85 Ko) VoirPDF : Conducteur complet (197.52 Ko) MP3 : "Fantasiestücke" (Op. 73 No. 1) for Oboe & Strings 4x⬇ 29x
Fantasiestücke for Oboe & Strings
MP3 (3.25 Mo) : (par MAGATAGAN, MICHAEL)3x⬇ 3x
Vidéo :
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| Compositeur : | Schumann, Robert (1810 - 1856) | ||||
| Instrumentation : | Hautbois, Quatuor à cordes | ||||
| Genre : | Classique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 25 Oct 2023 Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also developed a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies, one opera, and other orchestral, choral, and chamber works. His best-known works include Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C. Schumann was known for infusing his music with characters through motifs, as well as references to works of literature. These characters bled into his editorial writing in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication that he co-founded. Schumann suffered from a mental disorder that first manifested in 1833 as a severe melancholic depressive episode—which recurred several times alternating with phases of "exaltation" and increasingly also delusional ideas of being poisoned or threatened with metallic items. What is now thought to have been a combination of bipolar disorder and perhaps mercury poisoning led to "manic" and "depressive" periods in Schumann's compositional productivity. After a suicide attempt in 1854, Schumann was admitted at his own request to a mental asylum in Endenich (now in Bonn). Diagnosed with psychotic melancholia, he died of pneumonia two years later at the age of 46, without recovering from his mental illness. The "Fantasiestücke" (Fantasy pieces) Op. 73 (Nos 1-3), were written in 1849 by Robert Schumann. Though they were originally intended for clarinet and piano, Schumann indicated that the clarinet part could be also performed on violin or cello. Schumann wrote the pieces over just two days in February 1849, and originally entitled them "Soirée Pieces" before settling on the title Fantasiestücke. The title is one Schumann was fond of, since he used it in several works. This poetic title promotes the fundamental Romantic notion that creative expression is the product of the artist's unrestricted imagination. In addition, the connotations of "fantasy" justify the sudden mood changes. The three individual pieces are: (1) "Zart und mit Ausdruck" (Tender and with expression), (2) "Lebhaft, leicht" (Lively, light), and (3) "Rasch und mit Feuer" (Quick and with fire). "Fantasiestücke" (Op. 73 No. 1) is in A minor and begins dreamily with hints of melancholy, but concludes with a resolution and hope in A major, looking forward to the next movement. Source: Wikipedia (https://en.wikipedia.org/wiki/Fantasiest%C3%BCcke,_Op. _73) Although originally composed for Clarinet, Violin or Cello and Piano, I created this Interpretation of "Fantasiestücke" (Fantasy pieces Op. 73 No. 1) for Oboe & Strings (2 Violins, Viola & Cello). Partition centrale : | Trois Fantasiestücke pour clarinette et piano (3 partitions) | | |||
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