 | Bruckner, Joseph Anton - "Salvum fac populum tuum" for French Horn & Strings WAB 40 Cor, Quatuor à cordes |
VoirPDF : "Salvum fac populum tuum" (WAB 40) for French Horn & Strings (8 pages - 426.07 Ko)26x⬇ VoirPDF : Violoncelle (60.16 Ko) VoirPDF : Alto (60.09 Ko) VoirPDF : Violon 1 (61.05 Ko) VoirPDF : Violon 2 (60.11 Ko) VoirPDF : French Cor (63.32 Ko) VoirPDF : Conducteur complet (376.33 Ko) MP3 : "Salvum fac populum tuum" (WAB 40) for French Horn & Strings 21x⬇ 29x
Salvum fac populum tuum for French Horn & Strings
MP3 (2.28 Mo) : (par MAGATAGAN, MICHAEL)7x⬇ 7x
Vidéo :
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| Compositeur : | Bruckner, Joseph Anton (1824 - 1896) | ||
| Instrumentation : | Cor, Quatuor à cordes | ||
| Genre : | Classique | ||
| Tonalité : | Fa majeur | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 23 Janv 2024 Josef Anton Bruckner (1824 – 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. His compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler. Salvum fac populum tuum ("O Lord, save thy people"), WAB 40, is a motet composed by Anton Bruckner in 1884. The motet, based on a few verses of the Te Deum, was composed on 14 November 1884, presumably on request of Franz Xaver Witt for the Cecilian society. The manuscript is archived at the Österreichische Nationalbibliothek. The motet was first published in band IV/2, pp. 496–497 of the Göllerich/Auer biography. It is put in Band XXI/31 of the Gesamtausgabe. The 57-bar motet in F major for choir a cappella, is based on the verses "Salvum fac populum tuum" till "Quem ad modum speravimus in te." of the Te Deum. This, for Bruckner a quite unique composition, which uses the same verses as part 4 of his Te Deum, alternates passages in unison, in Falsobordone and in polyphony. Source: Wikipedia (https://en.wikipedia.org/wiki/Salvum_fac_populum_tuum, _WAB_40). Although originally created for Chorus (SATB), I created this Interpretation of the "Salvum fac populum tuum" (O Lord, save thy people WAB 40) for French Horn & Strings (2 Violins, Viola & Cello). | |||
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