 | Schubert, Franz Peter - "Nacht und Träume" for Flute & Strings D.827 Op. 43 No. 2 Flûte et Quatuor à cordes |
VoirPDF : "Nacht und Träume" (D.827 Op. 43 No. 2) for Flûte & Strings (8 pages - 409.98 Ko)16x⬇ VoirPDF : Violoncelle (67.22 Ko) VoirPDF : Flûte (59.96 Ko) VoirPDF : Alto (62.3 Ko) VoirPDF : Violon 1 (60.58 Ko) VoirPDF : Violon 2 (68.06 Ko) VoirPDF : Conducteur complet (343.87 Ko) MP3 : "Nacht und Träume" (D.827 Op. 43 No. 2) for Flute & Strings 4x⬇ 21x
Nacht und Träume for Flute & Strings
MP3 (4.26 Mo) : (par MAGATAGAN, MICHAEL)5x⬇ 4x
Vidéo :
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| Compositeur : | Schubert, Franz Peter (1797 - 1828) | ||||
| Instrumentation : | Flûte et Quatuor à cordes | ||||
| Genre : | Classique | ||||
| Tonalité : | Ré mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 07 Oct 2023 Franz Peter Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art song "Erlkönig", the Piano Trout Quintet in A major, the unfinished Symphony No. 8 in B minor, the "Great" Symphony No. 9 in C major, a String Quintet, the three last piano sonatas, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin and Winterreise. He was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his short life. The largest number of his compositions are songs for solo voice and piano (roughly 630). Schubert also composed a considerable number of secular works for two or more voices, namely part songs, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three concertante works for violin and orchestra. Schubert wrote a large body of music for solo piano, including eleven incontrovertibly completed sonatas and at least eleven more in varying states of completion, numerous miscellaneous works and many short dances, in addition to producing a large set of works for piano four hands. He also wrote over fifty chamber works, including some fragmentary works. Schubert's sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. He completed only eleven of his twenty stage works. The "Nacht und Träume" (Night and Dreams D.827 Op. 43 No. 2) is likely a conflation of two of Matthäus von Collin's poems and was likely meant as a memorial and tribute to the poet, a greatly admired friend of Schubert's, who had died the year before in 1824. The vocal line stretches into the void and lures moonlight, memories and spirits to visit our dreams. In the piano, slow unruffled semiquavers breathe steadily, and the one significant modulation into G major from the home key of B major, makes the dreamer fall into an even deeper sleep, nestling with the purest delight in the arms of Morpheus. There is however a touch of lonely, resounding desolation on the diminished chord of 'Rufen, wenn der Tag erwacht': we plead for night's return in order to live again in a better world, to recapture the joys that we once possessed. This is a theme of a number of Schubert's greatest songs. Many years before Freud, the poet knew that sleep—the other side of the coin of death—is the key to our past joys and troubles. The song is notoriously difficult; all singers and pianists feel that the ideal performance of this music of the spheres exists only in the imagination and in the happiest of dreams. Matthäus von Collin was a cousin of the same Josef von Spaun who seems to have been ubiquitous in all the fortunate aspects of Schubert's life. Collin was a poet and dramatist, a good eighteen years older than the composer, but a kindly and cultured host of considerable means (he was tutor to Napoleon's son, the Duke of Reichstadt). He was something of an intellectual heavyweight, having held the professorship of philosophy at the University of Cracow, and the professorship of history of philosophy in Vienna. Admired for his taste, kindness and ability as a critic rather more than for his writing, Collin's conversation must have bewitched Schubert on his visits (sometimes with Vogl) to his household. He was a disciple of the Schlegel brothers, and those poets' considerable influence on Schubert in the early 1820s, probably went back to conversations with Collin. His early death in his middle forties was a shock to the Schubert circle. There are five Schubert Collin settings. Source: Wikipedia(https://en.wikipedia.org/wiki/Nacht_und_Tr%C3 %A4ume) Although originally composed for Solo Piano, I created this Interpretation of the "Nacht und Träume" (Night and Dreams D.827 Op. 43 No. 2) for Flute & Strings (2 Violins, Viola & Cello). Partition centrale : | Nacht und Träume (3 partitions) | | |||
