 | Haendel, Georg Friedrich - "Crown with festal pomp" for Winds & Strings HWV 60 Mvt. 19 Vents & Orchestre Cordes |
VoirPDF : "Crown with festal pomp" (HWV 60 Mvt. 19) for Winds & Strings (16 pages - 1.07 Mo)25x⬇ VoirPDF : Basson (70.03 Ko) VoirPDF : Violoncelle (75.83 Ko) VoirPDF : Flûte (74.41 Ko) VoirPDF : French Cor (71.05 Ko) VoirPDF : Hautbois (71.74 Ko) VoirPDF : Alto (75.5 Ko) VoirPDF : Violon 1 (85.8 Ko) VoirPDF : Violon 2 (84.16 Ko) VoirPDF : Conducteur complet (899.65 Ko) MP3 : "Crown with festal pomp" (HWV 60 Mvt. 19) for Winds & Strings 4x⬇ 17x
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Vents & Orchestre Cordes43 autres versions | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 20 Mai 2023 Georg Friedrich Händel (1685 - 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Hercules (HWV 60) is a Musical Drama in three acts by George Frideric Handel, composed in July and August 1744. The English language libretto was by the Reverend Thomas Broughton, based on Sophocles's Women of Trachis and the ninth book of Ovid's Metamorphoses. Hercules was first given at the King's Theatre in London on 5 January 1745 in concert style. There were only two performances in the original run. The role of Lichas was written first as a small one for tenor, but it was greatly expanded before the premiere to provide Susanna Cibber with six airs. She was too ill to sing on the first night, and the music was either omitted or redistributed on that occasion. She sang in the second performance on 12 January. The music for the chorus "Wanton God" and the air "Cease, ruler of the day" was never given in this opera: the latter was adapted for the final chorus of Theodora. The work was a total failure and caused Handel to suspend his season. Hercules obtained three further hearings, two in 1749 and one in 1752, for which the role of Lichas was eliminated, and much of the other music was also cut. Hercules was originally performed in the theatre as an oratorio without stage action. It is argued that this contributed to its later neglect as it did not make the transition into the church and the concert hall successfully. When fully staged it was reappraised and acclaimed by Romain Rolland, Henry Prunières, Paul Henry Lang and others as one of the supreme masterpieces of its age. The first modern performance was in Münster in 1925. Hercules is sometimes given a full opera staging, for example, in a Peter Sellars production at the Chicago Lyric Opera in 2011. The mad scene for Dejanira "Where shall I fly?" is one of the highlights of the score. It contains many changes of tempo and mood, following the character's panic and despair. The chorus comment on the action after the manner of the choruses in Greek tragedy, with varied and inventive music. Some of the choruses contain massive fugues, others are "jolly" tunes. The work makes extensive use of musical chromaticism. For musicologist Paul Henry Lang, the excellence of the libretto, the masterly characterisation through music, and Handel's superlative musical invention make Hercules "the crowning glory of Baroque music drama". Source: Wikipedia (https://en.wikipedia.org/wiki/Hercules_(Handel)). Although originally created for Baroque Orchestra, I created this Arrangement of "Crown with festal pomp" from "Hercules" (HWV 60 Mvt. 19) for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello). Partition centrale : | Hercules (47 partitions) | | |||
