Fauré, Gabriel - "Pie Jesu" from "Requiem" for Brass Quartet Opus 48 No. 4 Quatuor de Cuivres |
Compositeur : | Fauré, Gabriel (1845 - 1924) | ||||
Instrumentation : | Quatuor de Cuivres | ||||
Genre : | Romantique | ||||
Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
Date : | 1877 | ||||
Droit d'auteur : | Public Domain | ||||
Ajoutée par magataganm, 16 Nov 2016 Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900. In seven movements, the work is scored for soprano and baritone soloists, mixed choir, orchestra and organ. Different from typical Requiem settings, the full sequence Dies irae is omitted, replaced by its section Pie Jesu. The final movement In Paradisum is based on a text that is not part of the liturgy of the funeral mass but of the burial. Fauré wrote of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest." Movement 4 of the Requiem is the Pie Jesu Domine (Pious Lord Jesus). The solo soprano (or treble) sings the prayer to the "good Jesus" for everlasting rest. The one line of text is repeated three times, the first two times asking for "requiem" (rest), then intensified for "sempiternam requiem" (everlasting rest). The first call is a modal melody in B-flat major of six measures, the second call is similar but reaching up higher. The words "Dona eis, Domine, dona eis requiem" begin with more expansion, but reach alternating between only two notes on two repetitions of "sempiternam requiem". The last call begins as the first and leads again to alternating between two notes in even lower range, until the last "requiem" has a gentle upward motion. Source: Wikipedia (https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)#Pie _Jesu). Although originally composed for Choir and Orchestra, I created this Interpretation for Brass Quartet (Bb Trumpet, Flugelhorn, French Horn and F Tuba). Partition centrale : | Messe de Requiem en ré mineur (21 partitions) | |
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