 | Dowland, John - "Come Again" from "First Booke of Songes or Ayres" for String Quartet Quatuor à cordes |
VoirPDF : "Come Again" from "First Booke of Songes or Ayres" for String Quartet (5 pages - 177.53 Ko)14x⬇ VoirPDF : Alto (54.39 Ko) VoirPDF : Violoncelle (53.92 Ko) VoirPDF : Violon 1 (55.01 Ko) VoirPDF : Violon 2 (54.62 Ko) VoirPDF : Conducteur complet (158.41 Ko) MP3 : "Come Again" from "First Booke of Songes or Ayres" for String Quartet 0x⬇ 23x
Come Again from First Booke of Songes or Ayres for String Quartet
MP3 (808.57 Ko) : (par MAGATAGAN, MICHAEL)3x⬇ 3x
Vidéo :
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| Compositeur : | Dowland, John (1563 - 1626) | ||
| Instrumentation : | Quatuor à cordes | ||
| Genre : | Renaissance | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 29 Mar 2024 John Dowland (c. 1563 - 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part" and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Very little is known of John Dowland's early life, but it is generally thought he was born in London; some sources even put his birth year as 1563. Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin, but no corroborating evidence has ever been found either for that or for Thomas Fuller's claim that he was born in Westminster. There is a piece of evidence pointing to Dublin as his place of origin: he dedicated the song "From Silent Night" to 'my loving countryman Mr. John Forster the younger, merchant of Dublin in Ireland'. The Forsters were a prominent Dublin family at the time, providing several Lord Mayors to the city. "Come Again, sweet love doth now invite" is a song by John Dowland. The lyrics are anonymous. The song is bitter-sweet, typical of Dowland who cultivated a melancholy style. It was included in Dowland's First Booke of Songes or Ayres, which appeared in 1597. The piece is often performed as a lute song by soloist and lute, but, like other songs in the First Booke, it is printed in a format that can also be performed as a madrigal by a small vocal group (typically SATB). The first two verses are addressed to the lover. The later verses speak to the reader about the lover, and the singer's thoughts. In the first verse, the words "to touch, to kiss, to die, with thee again in sweetest sympathy" use the Elizabeth euphemism of "dying" for experiencing orgasm, literally, "come again! sweet love". But the poet's later thoughts shift to ideas of actual death, dying "in deadly pain". His love is unrequited, so he asks "Love", that is "Eros" or "Cupid" to withdraw his "wounding dart" that inspires a person to love. Two major influences on Dowland's music were the popular consort songs, and the dance music of the day. Most of Dowland's music is for his own instrument, the lute. It includes several books of solo lute works, lute songs (for one voice and lute), part-songs with lute accompaniment, and several pieces for viol consort with lute. The poet Richard Barnfield wrote that Dowland's "heavenly touch upon the lute doth ravish human sense." One of his better known works is the lute song "Flow my tears". Source: Wikipedia (https://en.wikipedia.org/wiki/Come_Again_(Dowland)). Although originally written for Chorus (SATB). I created this Arrangement of "Come Again, Sweet Love doth Now Invite" from "First Booke of Songes or Ayres" for String Quartet (2 Violins, Viola & Cello). | |||
