 | Bach, Johann Sebastian - Partita in E Major for Marimba BWV 1006 Marimba |
VoirPDF : Partita in E Major (BWV 1006) for Marimba (10 pages - 259.51 Ko)1 453x⬇ MP3 : Partita in E Major (BWV 1006) for Marimba 195x⬇ 1986x
Vidéo :
![]()
![]()
| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Marimba | ||||
| Genre : | Baroque | ||||
| Tonalité : | Mi majeur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 28 Jui 2017 Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time. Although J.S. Bach described his six sonatas and partitas for solo violin as Libro primo (Book 1), he never followed them up with a second volume; so the Partita for solo violin No. 3 in E major, BWV 1006 (Cöthen, 1720), stands as the composer's last utterance in the unlikely medium of the unaccompanied violin. There were some solo violin works that predate Bach's efforts -- Biber's Passacaglia, Westhoff's Six Partitas -- but they cannot compare. This Partita is perhaps the most exuberant and cheery of the three in the book; while it is no picnic in the park for the violinist, it offers easier going than the chaconne in the second partita with its strings of double and triple stops. The work consists of dance movements that are mostly French in origin and that diverge from those in the other two : Preludio, Loure, Gavotte en Rondeau, Menuet I and II, Bourrée, and Gigue. The Preludio, which was adapted by Bach for use in two of his cantatas, proceeds almost entirely in brilliant sixteenth notes. A Loure is a slow subspecies of French jig, usually (as is the case here) in 6/4 time; Bach's is perhaps a less heavy dance than the average loure. The Gavotte is, as the name suggests, set up as a kind of rondo, with restatements of the opening material surrounding contrasting episodes; the happy gavotte tune is played five times in all (six if one counts the repeat of the opening eight bars). The two Menuets are traditionally played da capo with the end result: Menuet I -- Menuet II -- Menuet I. The Bourrée is short and rapid. A gigue can be either French in style or Italian; Bach selects the quicker, snappier Italian variety to close the E major Partita. Bach at some point transcribed the entirety of this Partita for solo lute; that version is known as BWV 1006a. Source: AllMusic (http://www.allmusic.com/composition/partita-for-solo-v iolin-no-3-in-e-major-bwv-1006-mc0002384363). Although originally written for Solo Violin. I created this Arrangement of the Partita No. 3 in E Major (BWV 1006) for Marimba. Partition centrale : | 6 Sonates et partitas pour violon seul (135 partitions) | | |||
