 | Schubert, Franz Peter - "Der stürmische Morgen" from "Winterreise" for Flute & Strings D.911 Op. 89 No. 18 Flûte et Quatuor à cordes |
VoirPDF : "Der stürmische Morgen" from "Winterreise" (D.911 Op. 89 No. 18) for Flûte & Strings (7 pages - 169.07 Ko)13x⬇ VoirPDF : Violoncelle (62.67 Ko) VoirPDF : Alto (60.08 Ko) VoirPDF : Flûte (61.97 Ko) VoirPDF : Violon 1 (66.4 Ko) VoirPDF : Violon 2 (58.92 Ko) VoirPDF : Conducteur complet (114.71 Ko) MP3 : "Der stürmische Morgen" from "Winterreise" (D.911 Op. 89 No. 18) for Flute & Strings 3x⬇ 17x
Der stürmische Morgen from Winterreise for Flute & Strings
MP3 (746.53 Ko) : (par MAGATAGAN, MICHAEL)5x⬇ 5x
Vidéo :
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| Compositeur : | Schubert, Franz Peter (1797 - 1828) | ||||
| Instrumentation : | Flûte et Quatuor à cordes23 autres versions | ||||
| Genre : | Classique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 16 Oct 2023 Franz Peter Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art song "Erlkönig", the Piano Trout Quintet in A major, the unfinished Symphony No. 8 in B minor, the "Great" Symphony No. 9 in C major, a String Quintet, the three last piano sonatas, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin and Winterreise. He was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his short life. The largest number of his compositions are songs for solo voice and piano (roughly 630). Schubert also composed a considerable number of secular works for two or more voices, namely part songs, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three concertante works for violin and orchestra. Schubert wrote a large body of music for solo piano, including eleven incontrovertibly completed sonatas and at least eleven more in varying states of completion, numerous miscellaneous works and many short dances, in addition to producing a large set of works for piano four hands. He also wrote over fifty chamber works, including some fragmentary works. Schubert's sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. He completed only eleven of his twenty stage works. "Winterreise" (Winter Journey D.911 Op. 89) is a song cycle for voice and piano by Schubert in 1828 in a setting of 24 poems by German poet Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being Die schöne Müllerin (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle An die ferne Geliebte (To the Distant Beloved) was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. Schubert found the first twelve poems under the title Wanderlieder von Wilhelm Müller. Die Winterreise. In 12 Liedern in an almanack (Urania. Taschenbuch auf das Jahr 1823) published in Leipzig in 1823. His intimate friend Franz von Schober had provided this book for him. It was after he set these, in February 1827, that he discovered the full series of poems in Müller's book of 1824, Poems from the posthumous papers of a travelling horn-player, dedicated to the composer Carl Maria von Weber (godfather of Müller's son F. Max Müller), "as a pledge of his friendship and admiration". Weber died in 1826. On 4 March 1827, Schubert invited a group of friends to his lodgings intending to sing the first group of songs, but he was out when they arrived, and the event was postponed until later in the year, when the full performance was given. Between the 1823 and 1824 editions, Müller varied the texts slightly and also (with the addition of the further 12 poems) altered the order in which they were presented. Owing to the two stages of composition, Schubert's order in the song-cycle preserves the integrity of the cycle of the first twelve poems published and appends the twelve new poems as a Fortsetzung (Continuation), following Müller's order (if one excludes the poems already set) with the one exception of switching "Die Nebensonnen" and "Mut!". Source: Wikipedia (https://en.wikipedia.org/wiki/Winterreise) Although originally composed for Voice & Piano, I created this Interpretation of "Der stürmische Morgen" (The Stormy Morning) from "Winterreise" (Winter Journey D.911 Op. 89 No. 18) for Flute & Strings (2 Violins, Viola & Cello). Partition centrale : | Voyage d'hiver (Winterreise) (61 partitions) | | |||
