 | Haendel, Georg Friedrich - "Sol la brama di vendetta" from "Faramondo" for Bassoon & Strings HWV 39 Act 2 No. 6 Basson et Quatuor à cordes |
VoirPDF : "Sol la brama di vendetta" from "Faramondo" (HWV 39 Act 2 No. 6) for Bassoon & Strings (10 pages - 301.38 Ko)15x⬇ VoirPDF : Basson (112.69 Ko) VoirPDF : Violoncelle (114.1 Ko) VoirPDF : Alto (113.17 Ko) VoirPDF : Violon 1 (118.86 Ko) VoirPDF : Violon 2 (116.76 Ko) VoirPDF : Conducteur complet (184.29 Ko) MP3 : "Sol la brama di vendetta" from "Faramondo" (HWV 39 Act 2 No. 6) for Bassoon & Strings 5x⬇ 24x
Sol la brama di vendetta from Faramondo for Bassoon & Strings
MP3 (3.67 Mo) : (par MAGATAGAN, MICHAEL)4x⬇ 3x
Vidéo :
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Basson et Quatuor à cordes | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 18 Aoû 2023 George Frideric (or Frederick) Handel (1685 – 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. After spending some of his early career composing operas and other pieces in Italy, he settled in London, where in 1711 he had brought Italian opera for the first time with his opera Rinaldo. A tremendous success, Rinaldo created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to produce Italian operas in London. Handel was not only to compose operas for the company but hire the star singers, supervise the orchestra and musicians, and adapt operas from Italy for London performance. Faramondo, HWV 39, is an opera in three acts by George Frideric Handel to an Italian libretto adapted from Apostolo Zeno's Faramondo. The story is loosely based upon the legend of Pharamond, a mythological King of the Franks, circa 420 AD, and the early history of France. The opera had its first performance at the King's Theatre, London, on 3 January 1738. Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera Rinaldo. An enormous success, Rinaldo created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. He had presented new operas in London for years with great success. One of the major attractions in Handel's operas was the star castrato Senesino, whose relationship with the composer was often stormy and who eventually left Handel's company to appear with the rival Opera of the Nobility, set up in 1733. Handel moved to a different theatre, Covent Garden, and engaged different singers, but there were neither sufficient audience for opera in London nor aristocratic supporters to back two opera houses at once, and both opera companies found themselves in difficulty. In 1737 the Opera of the Nobility collapsed into bankruptcy and what was left of its performers and resources combined with Handel's Covent Garden opera company, which returned to the King's Theatre, Haymarket, where his earlier operas had been presented. None of Handel's three new operas in the 1736-37 season repeated the success of his earlier works, and he suffered a breakdown in his health, as reported by his friend Lord Shaftesbury: "Great fatigue and disappointment, affected him so much, that he was this Spring struck with the Palsy, which took entirely away, the use of 4 fingers of his right hand; and totally disabled him from Playing: And when the heats of the Summer 1737 came on, the Disorder seemed at times to affect his Understanding." Before composing new operas for the 1737-38 season, Handel went to "take the waters" at Aix-la Chapelle, where he made a complete recovery, so much so that it seemed to the nuns who operated the spa there to have been a miracle. Source: Wikipedia (https://en.wikipedia.org/wiki/Faramondo). Although originally scored for Violini, Viola, Bass & Bassi I created this Interpretation of the Aria "Sol la brama di vendetta può dar pace" from "Faramondo" (HWV 39 Act 2 No. 6) for Bassoon & Strings (2 Violins, Viola & Cello). Partition centrale : | Faramondo (6 partitions) | | |||
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