 | Dvorak, Antonin - Elegy from "4 Romantic Pieces" for Oboe & Piano Op. 75 B. 150 No. 4 Hautbois, Piano (clavier) |
VoirPDF : Elegy from "4 Romantic Pieces" (Op. 75 B. 150 No. 4) for Oboe & Piano (12 pages - 313.13 Ko)1x⬇ VoirPDF : Conducteur complet (193.96 Ko) VoirPDF : Piano (139.7 Ko) VoirPDF : Hautbois (92.09 Ko) MP3 : Elegy from "4 Romantic Pieces" (Op. 75 B. 150 No. 4) for Oboe & Piano 0x⬇ 15x
Elegy from 4 Romantic Pieces for Oboe & Piano
MP3 (6.8 Mo) : (par MAGATAGAN, MICHAEL)0x⬇ 1x
Vidéo :
![]()
![]()
![]()
| Compositeur : | Dvorak, Antonin (1841 - 1904) | ||||
| Instrumentation : | Hautbois, Piano (clavier)3 autres versions | ||||
| Genre : | Romantique | ||||
| Tonalité : | Sol mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 04 Avr 2024 Antonín Leopold - Dvorák (1841 - 1904) was a Czech composer. - Dvorák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor BedÅ™ich Smetana. - Dvorák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and he himself has been described as "arguably the most versatile... composer of his time". He displayed his musical gifts at an early age, being an apt violin student. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with Johannes Brahms on the jury of the Austrian State Competition. In 1877, after his third win, Brahms recommended - Dvorák to his publisher, Simrock, who commissioned what became the Slavonic Dances, Op. 46. The sheet music's high sales and critical reception led to his international success. A London performance of - Dvorák's Stabat Mater in 1883 led to many other performances in the United Kingdom, the United States, and eventually Russia in March 1890. The Seventh Symphony was written for London in 1885. He composed his cycle of four Romantic Pieces, Op. 75, B. 150, (Czech: Romantické kusy), for violin and piano in January 1887. These four pieces are arranged from his previous composition, a trio for two violins and viola, known as Miniatures, Op. 75a, B. 149 (Czech: Drobnosti). The composer's family was living in that time in Prague 2, at 564 Žitná Street, in the same house as - Dvorák's mother-in-law. She hired out a room to a young chemistry student, Josef Kruis. Kruis was also an amateur violinist who studied the violin with Jan Pelikán, a member of the orchestra of the National Theatre in Prague. They often played violin duets together. - Dvorák, a viola player, heard them and got the idea to compose a new chamber work for two violins and viola in order to play with them. The resulting composition was the Terzetto in C major, Op. 74, B. 148, composed from 7 to 14 January 1887. It was, however, too difficult for Kruis, and - Dvorák therefore composed another trio, but considerably simpler. The second trio, Miniatures, was written in four movements, which he titled: "Cavatina", "Capriccio", "Romance" and "Elegy" ("Ballad"). In the letter dated 18 January 1887 to his German publisher Simrock, - Dvorák stated: "I am writing little miniatures – just imagine – for two violins and viola, and I enjoy the work as much as if I were writing a large symphony – what do you say to that? Of course, they are meant rather for amateurs, but didn't Beethoven and Schumann also express themselves sometimes with quite simple means – and how?..." Though he was apparently satisfied with this version of the trio, he nevertheless immediately began to rearrange it for violin and piano. He called the new version Romantic Pieces, Op. 75. The only date appears at the end of the manuscript – 25 January 1887. - Dvorák later completely forgot about the existence of the trio, and years later in 1901 explained to Simrock that "...what is supposed to be a trio...cannot be the Romantic Pieces". - Dvorák's original manuscript of the trio version (and Kruis' copy of individual parts) was only rediscovered in 1938, and it was proven that he himself was mistaken. Originally the set was untitled, but - Dvorák called it Miniatures in the aforementioned letter to Simrock. Kruis added the titles to the individual movements, apparently in agreement with the composer. - Dvorák completed the cycle of four unrelated short pieces with different themes, with apparent influence of Robert Schumann. - Dvorák left the musical content of the arrangement for violin and piano almost unchanged; he only slightly altered the harmonic foundations in the first movement (bars 30–36), and extended the end of the third movement with an additional four bars. He also renamed the second and third movements. 1. Cavatina (Moderato), Bâ™ Major, 4/4 2. Capriccio (Poco allegro), D Minor, 2/4 3. Romance (Allegro), Bâ™ Major, 4/4 4. Elegy or Ballad (Larghetto), G Minor, 9/8 Source: Wikipedia (https://en.wikipedia.org/wiki/Romantic_Pieces_(Dvo%C5% 99%C3%A1k)). Although originally composed for Violin & Piano, I created this Arrangement of the Elegy from "4 Romantic Pieces" (Op. 75 B. 150 No. 4) in G Minor for Oboe & Piano. Partition centrale : | Pièces romantiques (7 partitions) | | |||
