 | Schubert, Franz Peter - "Der Müller und der Bach" from "Die schöne Müllerin" for Flute & Strings D.795 Op. 25 No. 19 Flûte et Quatuor à cordes |
VoirPDF : "Der Müller und der Bach" (D.795 Op. 25 No. 19) for Flûte & Strings (9 pages - 247 Ko)35x⬇ VoirPDF : Violoncelle (63.16 Ko) VoirPDF : Flûte (79.11 Ko) VoirPDF : Alto (67.84 Ko) VoirPDF : Violon 1 (72.36 Ko) VoirPDF : Violon 2 (63.27 Ko) VoirPDF : Conducteur complet (158.58 Ko) MP3 : "Der Müller und der Bach" (D.795 Op. 25 No. 19) for Flute & Strings 5x⬇ 32x
Der Müller und der Bach from Die schöne Müllerin for Flute & Strings
MP3 (3.13 Mo) : (par MAGATAGAN, MICHAEL)6x⬇ 8x
Vidéo :
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| Compositeur : | Schubert, Franz Peter (1797 - 1828) | ||||
| Instrumentation : | Flûte et Quatuor à cordes19 autres versions | ||||
| Genre : | Classique | ||||
| Tonalité : | Sol mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 09 Nov 2023 Franz Peter Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art song "Erlkönig", the Piano Trout Quintet in A major, the unfinished Symphony No. 8 in B minor, the "Great" Symphony No. 9 in C major, a String Quintet, the three last piano sonatas, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin and Winterreise. He was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his short life. The largest number of his compositions are songs for solo voice and piano (roughly 630). Schubert also composed a considerable number of secular works for two or more voices, namely part songs, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three concertante works for violin and orchestra. Schubert wrote a large body of music for solo piano, including eleven incontrovertibly completed sonatas and at least eleven more in varying states of completion, numerous miscellaneous works and many short dances, in addition to producing a large set of works for piano four hands. He also wrote over fifty chamber works, including some fragmentary works. Schubert's sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. He completed only eleven of his twenty stage works. "Die schöne Müllerin" (The Fair Maid of the Mill D. 795 Op. 25 Nos. 1-20), is a song cycle by Franz Schubert from 1823 based on 20 poems by Wilhelm Müller. It is the first of Schubert's two seminal cycles (preceding Winterreise), and a pinnacle of Lied repertoire. It was composed for piano and solo singer. The vocal part falls in the range of a tenor or soprano voice, but is often sung by other voices, transposed to a lower range, a precedent established by Schubert himself. Since the protagonist is a young man, performances by women's voices are less common. The piano part bears much of the expressive burden of the work, and is only seldom a mere 'accompaniment' to the singer. A typical performance lasts around sixty to seventy minutes. There are twenty songs in the cycle, around half in simple strophic form, and they move from cheerful optimism to despair and tragedy. At the beginning of the cycle, a young journeyman miller wanders happily through the countryside. He comes upon a brook, which he follows to a mill. He falls in love with the miller's beautiful daughter (the "Müllerin" of the title). She is out of his reach as he is only a journeyman. He tries to impress her, but her response seems tentative. The young man is soon supplanted in her affections by a hunter clad in green, the color of a ribbon he gave the girl. In his anguish, he experiences an obsession with the color green, then an extravagant death fantasy in which flowers sprout from his grave to express his undying love. (See Beethoven's "Adelaide" for a similar fantasy.) In the end, the young man despairs and presumably drowns himself in the brook. The last number is a lullaby sung by the brook. "Der Müller und der Bach" ("The Miller and the Brook"; G minor): "Oh dear little brook, you mean so well – but do you know what love does to you?" The hopeless Miller turns to the Brook in his heartbreak. The Brook answers with comforting and poetic words of love conquering pain. Resigned and exhausted, the Miller submits himself to the Brook's 'cool rest'. Through-composed, the gently rocking barcarolle-like accompaniment gives way to a broken chord pattern similar to that of Wohin, imitating the Brook and confirming a leitmotif of sorts as this character speaks for the first time. The notable use of Neapolitan chords in this song is one of many examples of chromatic substitution used liberally throughout the cycle, aptly illustrating in this case the languid resignation of the protagonist as the minor second sinks to the tonic. The outro sees the piano descend peacefully to a final major chord as the Miller meets his fate. Source: Wikipedia (https://en.wikipedia.org/wiki/Die_sch%C3%B6ne_M%C3%BCl lerin) Although originally composed for Voice & Piano, I created this Interpretation of "Der Müller und der Bach" (The Miller and the Brook) from "Die schöne Müllerin" (The Fair Maid of the Mill D.795 Op. 25 No. 19) for Flute & Strings (2 Violins, Viola & Cello). Partition centrale : | Die Schöne Müllerin or the Müllerlieder (42 partitions) | | |||
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