 | Telemann, Georg Philipp - Sonata I in F Major for Flute Duet TWV 40:103 2 flûtes (duo) |
VoirPDF : Concerto in G Major (TWV 40:201) for Piano (13 pages - 448.47 Ko)65x⬇ VoirPDF : Flûte 1 (151.48 Ko) VoirPDF : Flûte 2 (147.53 Ko) VoirPDF : Conducteur complet (253.17 Ko) MP3 : Concerto in G Major (TWV 40:201) for Piano 12x⬇ 258x
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| Compositeur : | Telemann, Georg Philipp (1681 - 1767) | ||||
| Instrumentation : | 2 flûtes (duo)1 autre version | ||||
| Genre : | Baroque | ||||
| Tonalité : | Fa majeur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 03 Déc 2023 Georg Philipp Telemann was born in Magdeburg, the son of a Lutheran deacon who died in 1685, leaving the mother to raise their three children alone. The youth showed remarkable talent in music, but was temporarily discouraged in his chosen pursuit by Puritan Lutherans, who told Telemann's mother that he would turn out no better than "a clown, a tightrope walker or a marmot-trainer." In opposition to his mother's wishes, Telemann continued to study in secrecy until she relented, allowing him to train under the highly respected Kantor Benedict Christiani, at the Old City School. Outside of some early lessons in reading tablature, Telemann was self-taught and was capable of playing the flute, violin, viola da gamba, oboe, trombone, double bass, and several keyboard instruments. Telemann began to write music from childhood, producing an opera, Sigismundus, by age 12. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. As part of his duties, he wrote a considerable amount of music for educating organists under his direction. This includes 48 chorale preludes and 20 small fugues (modal fugues) to accompany his chorale harmonisations for 500 hymns. His music incorporates French, Italian, and German national styles, and he was at times even influenced by Polish popular music. He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late Baroque and early Classical styles. The Telemann Museum in Hamburg is dedicated to him. Georg Philipp Telemann (1681-1757) was a very prolific composer having completed over 3000 works including 1043 church cantatas, 46 settings of the Passion, and nearly 50 concertos for various instruments. The six sonatas in this edition, first published in 1727, were originally for two flutes or two violins. Due to the somewhat limited range of only two octaves and a step, the duets are also very practical for any other two like treble woodwinds. Note that if B-flat clarinet is used with a C instrument, the clarinet part must be transposed. As was common with most eighteenth century scores, few articulation marks were included in the original manuscript. This edition does not add new articulations, but does offer some suggestions in a narrative that briefly discusses appropriate use of slurs and trills. Performers may add articulation and ornamentation according to their experience and personal tastes. Each sonata has 4 short movements with each of the two parts requiring equal ability. Source: Wikipedia (https://en.wikipedia.org/wiki/Sonates_sans_basse_(Tele mann)). Although originally created for 2 Recorders (Flutes or Violins), I created this Transcription of the Sonata I in F Major (TWV 40:103) for Flute Duet. Partition centrale : | 6 Sonatas (3 partitions) | | |||
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