 | Bruckner, Joseph Anton - "Tantum ergo" for String Quartet WAB 32 Quatuor à cordes |
VoirPDF : "Tantum ergo" (WAB 32) for String Quartet (7 pages - 167.31 Ko)30x⬇ VoirPDF : Violoncelle (60.23 Ko) VoirPDF : Alto (62.09 Ko) VoirPDF : Violon 1 (62.98 Ko) VoirPDF : Violon 2 (61.33 Ko) VoirPDF : Conducteur complet (116.48 Ko) MP3 : "Tantum ergo" (WAB 32) for String Quartet 2x⬇ 30x
Tantum ergo for String Quartet
MP3 (4.63 Mo) : (par MAGATAGAN, MICHAEL)7x⬇ 10x
Vidéo :
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| Compositeur : | Bruckner, Joseph Anton (1824 - 1896) | ||
| Instrumentation : | Quatuor à cordes | ||
| Genre : | Romantique | ||
| Tonalité : | Ré majeur | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 27 Janv 2024 Josef Anton Bruckner (1824 – 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. His compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler. "Tantum ergo" [Tantum ergo sacramentum] ("Let us raise"), WAB 32, is the first of eight settings of the hymn Tantum ergo composed by Anton Bruckner in 1845. He composed the motet in the fall of 1845 at the end of his stay in Kronstorf or at the beginning of his stay in St. Florian Abbey. The original manuscript, which was dedicated to the St. Florian Abbey, is stored in the archive of the abbey. A copy made by Bruckner's student Oddo Loidol is stored in the archive of the Kremsmünster Monastery. The motet was first published without the "facultative" bars as Pange lingua by Wöss, Universal Edition, together with the Vexilla regis in 1914 – the reason why Grasberger put is as WAB 32 after the Pange lingua, WAB 31. The full version is put in Band XXI/7 of the Gesamtausgabe. The work of 38 bars (36 bars + a 2-bar Amen) in D Major is scored for SATB choir a cappella. The bars 23 to 34, which Bruckner put as optional, were removed in the first edition. This early Tantum ergo, which gives a feeling of angelic purity, is in Schubert's style. The fully conventional first part in D major is followed by a second part, which moves on via the mediant key of F-sharp minor and back to the coda in D major. Source: Wikipedia (https://en.wikipedia.org/wiki/Tantum_ergo,_WAB_32). Although originally created for Mixed Chorus (SATB), I created this Interpretation of "Tantum ergo" (Let us raise WAB 32) for String Quartet (2 Violins, Viola & Cello). | |||
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