 | Bruckner, Joseph Anton - "In S. Angelum custodem" for String Quartet WAB 18 Quatuor à cordes |
VoirPDF : "In S. Angelum custodem" (WAB 18) for String Quartet (5 pages - 95.67 Ko)21x⬇ VoirPDF : (55.22 Ko) VoirPDF : (54.96 Ko) VoirPDF : (54.46 Ko) VoirPDF : (73.06 Ko) VoirPDF : (54.96 Ko) MP3 : "In S. Angelum custodem" (WAB 18) for String Quartet 1x⬇ 29x
In S. Angelum custodem for String Quartet
MP3 (885.3 Ko) : (par MAGATAGAN, MICHAEL)2x⬇ 5x
Vidéo :
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| Compositeur : | Bruckner, Joseph Anton (1824 - 1896) | ||
| Instrumentation : | Quatuor à cordes | ||
| Genre : | Romantique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 19 Janv 2024 Josef Anton Bruckner (1824 – 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. His compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler. Iam lucis orto sidere (Now that the daylight fills the sky), WAB 18, is a motet composed by Anton Bruckner in 1868. The work is also known as In S. Angelum custodem (In the custody of the holy angel). Bruckner revised the composition in 1886. Bruckner composed this motet in the summer of 1868 for the Schutzengelbruderschaft ("Guardian angel confraternity") of Wilhering Abbey. Bruckner dedicated it to Adolf Dorfer, the abbot of the abbey. Bruckner set the music on the text written by Robert Riepl, one of the priests working at the abbey. The motet was performed in the same year in the abbey. Riepl's text is an adaptation of the text used by Orlande de Lassus. Bruckner's original manuscript, which was stored in the abbey, is lost. A copy of it is stored in the archive of the Kremsmünster Abbey and two other copies are found in the Austrian National Library. The motet was published in 1868 by the Wilhering Abbey. The first version in Phrygian mode, which Bruckner composed in 1868, is 24-bar long. Two settings are extant: a first with all eight verses of Riepl's text for SATB choir a cappella, and a second with only one verse of a different text for SATB choir and organ. The motet is a simple, modally inspired piece and homophonic throughout. Source: Wikipedia (https://en.wikipedia.org/wiki/Iam_lucis_orto_sidere,_W AB_18). Although originally created for Chorus (SATB), I created this Interpretation of "In S. Angelum custodem" ("In the custody of the holy angel" WAB 18) for String Quartet (2 Violins, Viola & Cello). | |||
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