Free-scores.com : Bizet, Georges - "Les Voici!" from Carmen for Flute & Strings (Flûte et Quatuor à cordes)

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CRITÈRES : Carmen, Suite 1 Act 4 No. 2 (138) (Bizet, Georges)

FLUTE › Bizet, Georges

"Les Voici!" from Carmen for Flute & Strings
Suite 1 Act 4 No. 2
Georges Bizet
Flûte et Quatuor à cordes

VoirPDF : "Les Voici!" from Carmen (Suite 1 Act 4 No. 2) for Flûte & Strings (9 pages - 263.8 Ko)471x⬇

VoirPDF : Violoncelle (68.9 Ko)

VoirPDF : Alto (69.08 Ko)

VoirPDF : Violon 1 (73.63 Ko)

VoirPDF : Violon 2 (67.63 Ko)

VoirPDF : Flûte (79.15 Ko)

VoirPDF : Conducteur complet (158.77 Ko)

MP3 : "Les Voici!" from Carmen (Suite 1 Act 4 No. 2) for Flute & Strings 76x⬇ 769x

Les Voici! from Carmen for Flute & Strings

MP3 (1.29 Mo) : (par MAGATAGAN, MICHAEL)0x⬇ 1x

Vidéo :

Compositeur	Bizet, Georges (1838 - 1875)
Instrumentation	Flûte et Quatuor à cordes
Partition centrale	Carmen (138 partitions) 2 autres versions
Genre	Classique
Tonalité :	La♭ majeur
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Date	1874
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 02 Nov 2017
The reception history of Georges Bizet's final dramatic work, Carmen, is rife with ironies. Although almost unanimously condemned by Parisian critics after its first performances in 1875 for its overt sexuality and graphic final scene, Carmen intrigued a number of sophisticated minds and ultimately reached the public in a way that perhaps no other opera has. Bizet's aim in composing Carmen had been to transform the flaccid, moralistic bourgeois genre of opéra comique into a more sophisticated t...(+) The reception history of Georges Bizet's final dramatic work, Carmen, is rife with ironies. Although almost unanimously condemned by Parisian critics after its first performances in 1875 for its overt sexuality and graphic final scene, Carmen intrigued a number of sophisticated minds and ultimately reached the public in a way that perhaps no other opera has. Bizet's aim in composing Carmen had been to transform the flaccid, moralistic bourgeois genre of opéra comique into a more sophisticated type of staged work. With a libretto by Ludovic Halévy and Henri Meilhac, Carmen survives in no single authoritative version despite its enormous popularity and influence. Guiraud converted the original sections of spoken dialogue into recitative for the 1875 Vienna performances. In recent years the original version has made a striking comeback, and one can argue that it is far more telling dramatically than the traditional version with the recitatives. There is also a popular orchestral suite drawn from the opera, and several violin and piano fantasies on its themes also exist. Carmen is cornerstone item in any opera collection. It is ironic that Bizet composed one of music's most evocative landscapes of Spain without ever having been there. Source: AllMusic: (https://www.allmusic.com/composition/carmen-opera-mc00 02356550). Although originally written for Orchestra, I created this arrangement of the "Les voici, voici la quadrille" (March of the Toreadors) Act IV No. 2 for Flute & Strings (2 Violins, Viola & Cello).

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