Haendel, Georg Friedrich - Concerto in G Major for Flute & Guitar HWV 487 Flûte et Guitare |
Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||
Instrumentation : | Flûte et Guitare | ||
Genre : | Baroque | ||
Tonalité : | Sol majeur | ||
Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
Droit d'auteur : | Public Domain | ||
Ajoutée par magataganm, 20 Mai 2018 Georg Friedrich Händel (1685 – 1759) was a true European. He had a German work ethic, Italian passion and a Dutch head for business. And after training in Germany and Italy, from 1711 he went on to win the hearts of the British. He wooed them with his many operas and oratorios, and with instrumental works like his Water Music and Music for the Royal Fireworks. Yet during his lifetime, he was renowned not only as an organist, but also as one of the greatest harpsichordists of his day. The public couldn’t get enough of him on the harpsichord, either as a composer or a musician. Evidently times change. However, if we take a closer look at the period during which Handel settled in London, we soon see that people were occupied with the same issues then as they are today. The signing of the Treaty of Utrecht in 1713 finally brought peace after a long period of war, and with it a lasting balance of power in Europe. It was a historic moment, comparable to the foundation of the European Union. Historic, partly because it was the first time a treaty had been signed not on the battle field but at the negotiating table. For Handel it was a fortunate development as it allowed him to move much more freely around Europe. At the same time, England had not done badly out of the peace deal it had struck in Utrecht. Welfare in the country increased, certainly in London. Handel brought together new and old material, but just what was old and what was new we do not know. Probably some of the work dated from his student days in Germany, some from his years in Italy, and the new material from his time in London. The German folksongs in the Air of the Suite in D Minor and the Passacaille from the Suite in G Major could well have been composed in his German years, as could some of the Fugues. Little is written about the series of Preludes and Capriccios and Allegros although they were likely written for Organ or Harpsichord. Source: Wikipedia (https://en.wikipedia.org/wiki/George_Frideric_Handel). Although originally written for Harpsichord, I created this Interpretation of the Concerto in G Major (HWV 487) for Flute & Classical Guitar. |