Free-scores.com : Morley, Thomas - "Sing We and Chaunt It" for Woodwind Quintet (Quintette à vent : Flûte, Clarinette, Hautbois, Cor, Basson)

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Morley, Thomas

FLUTE › Morley, Thomas

"Sing We and Chaunt It" for Woodwind Quintet
Book 1 No. 4
Thomas Morley
Quintette à vent : Flûte, Clarinette, Hautbois, Cor, Basson

VoirPDF : "Sing We and Chaunt It" (Book 1 No. 4) for Woodwind Quintet (2 pages - 93.66 Ko)227x⬇

MP3 : "Sing We and Chaunt It" (Book 1 No. 4) for Woodwind Quintet 35x⬇ 763x

Vidéo :

Compositeur	Morley, Thomas (1557 - 1602)
Instrumentation	Quintette à vent : Flûte, Clarinette, Hautbois, Cor, Basson
Genre	Renaissance
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 10 Nov 2017
Thomas Morley (1557-1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. He was also involved in music publishing, and from 1598 up to his death he held a printing patent (a type of monopoly). He used the monopoly in partnership with professional music printers such as Thomas East. According to Philip Brett and Tessa Murray, Morley was 'chiefly responsible for grafting the Italian shoot on to the nativ...(+) Thomas Morley (1557-1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. He was also involved in music publishing, and from 1598 up to his death he held a printing patent (a type of monopoly). He used the monopoly in partnership with professional music printers such as Thomas East. According to Philip Brett and Tessa Murray, Morley was 'chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music'. Living in London at the same time as Shakespeare, he became organist at St Paul's Cathedral. He was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Source: Wikipedia (https://en.wikipedia.org/wiki/Thomas_Morley). "Sing We and Chaunt It" is from the 1595 Balletts to Five Voyces, Book 1 (No.4) and is set in 5 voices (SSATB). I created this arrangement for Woodwind Quintet (Flute, Oboe, Bb Clarinet, French Horn & Bassoon).

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