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CRITÈRES : Prelude (Perger Präludium), WAB 129 (2) (Bruckner, Joseph Anton)

VIOLON › Bruckner, Joseph Anton

Perger Präludium in C Major for String Quartet

Perger Präludium in C Major for String Quartet
WAB 129
Joseph Anton Bruckner
Quatuor à cordes

VoirPDF : Perger Präludium in C Major (WAB 129) for String Quartet (5 pages - 142.51 Ko)29x⬇

VoirPDF : Violoncelle (54.98 Ko)

VoirPDF : Alto (55.47 Ko)

VoirPDF : Violon 1 (55.83 Ko)

VoirPDF : Violon 2 (55.51 Ko)

VoirPDF : Conducteur complet (121.11 Ko)

MP3 : Perger Präludium in C Major (WAB 129) for String Quartet 8x⬇ 35x

Perger Präludium in C Major for String Quartet

MP3 (1.25 Mo) : (par MAGATAGAN, MICHAEL)11x⬇ 12x

Vidéo :

Compositeur	Bruckner, Joseph Anton (1824 - 1896)
Instrumentation	Quatuor à cordes
Partition centrale	Prelude (Perger Präludium) (2 partitions)
Genre	Classique
Tonalité :	Do majeur
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 18 Janv 2024
Josef Anton Bruckner (1824 – 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. His compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. (+) Josef Anton Bruckner (1824 – 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. His compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler. Präludium (Perger Präludium) in C major, WAB 129 - a prelude composed in 1884. A sketch is stored in the archive of the Kremsmünster Abbey. The final score, which was given to Bruckner's pupil Otto Loidol, is put in the Gesamtausgabe, Band XII/6, No. 5. Source: Wikipedia (https://en.wikipedia.org/wiki/List_of_organ_compositio ns_by_Anton_Bruckner). Although originally written for Organ, I created this Interpretation of the Perger Präludium in C Major (WAB 129) for String Quartet (2 Violins, Viola & Cello).

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