PARTITIONS GRATUITES : HARMONICA ET ORCHESTRE

Chiemsee-Messe. Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Missa Stae Ursulae/Chiemsee MH 546. Latin Masses. Complete orchestral parts. Composed 1793. MH 546. Duration 40 minutes. Published by Carus Verlag (CA.5454619).

(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. This edition: paperbound. MH 546. Score available separately - see item CA.5454600. Latin Masses. Piano/Vocal score. Language: Latin. Composed 1793. 80 pages. Duration 40 min. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454609

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.546/31 clarino 1, 1x 54.546/32 clarino 2, 1x 54.546/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1793. MH 546. 36 pages. Duration 40 minutes. Carus Verlag #CV 54.546/09. Published by Carus Verlag (CA.5454609).

ISBN 9790007226190. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and parts available separately - see item CA.5454600.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454612

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1793. MH 546. 28 pages. Duration 40 minutes. Carus Verlag #CV 54.546/12. Published by Carus Verlag (CA.5454612).

ISBN 9790007226213. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and part available separately - see item CA.5454600.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454611

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1793. MH 546. 28 pages. Duration 40 minutes. Carus Verlag #CV 54.546/11. Published by Carus Verlag (CA.5454611).

ISBN 9790007226206. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and part available separately - see item CA.5454600.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454613

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1793. MH 546. 16 pages. Duration 40 minutes. Carus Verlag #CV 54.546/13. Published by Carus Verlag (CA.5454613).

ISBN 9790007226220. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and part available separately - see item CA.5454600.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454649

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1793. MH 546. 32 pages. Duration 40 minutes. Carus Verlag #CV 54.546/49. Published by Carus Verlag (CA.5454649).

ISBN 9790007074623. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and part available separately - see item CA.5454600.