| Mein Heimatland (Trumpet) Trompette Schott
| | |
| Mitchell on Trumpet * Book 1 with DVD Trompette [Partition + DVD] Santorella Publications
(82 balanced lessons). By Harold E. Mitchell. For trumpet. This edition: Paperba...(+)
(82 balanced lessons). By
Harold E. Mitchell. For
trumpet. This edition:
Paperback. Instructional.
Method. Method book and
DVD. Text Language:
English. 96 pages.
Published by Santorella
Publications
$18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto in Eb Major Trompette, Piano Carl Fischer
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and
Piano, S. 49.
Composed by Johann
Nepomuk Hummel
(1778-1837). Edited by
Elisa Koehler. Arranged
by Elisa Koehler.
Romantic. Score and
part(s). With Standard
notation. 36 8 pages.
Carl Fischer #W002681.
Published by Carl Fischer
(CF.W2681).
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto in E Major Trompette Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet SKU:
CF.W2682 For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major. Edited by
Elisa Koehler, Associate
Professor and Chair of
the Music Department at
Goucher College, this new
edition of Johann Nepomuk
Hummel's Concerto in E
Major for trumpet in E
and piano presented in
its original key. The
concerto by Johann
Nepomuk Hummel
(1778–1837)holds a
unique place in the
trumpet repertoire. Like
theconcerto by Joseph
Haydn (1732–1809)
it was written forthe
Austrian trumpeter Anton
Weidinger
(1766–1852) andhis
newly invented keyed
trumpet, performed a few
timesby Weidinger, and
then forgotten for more
than 150 yearsuntil it
was revived in the
twentieth century. But
unlikeHaydn’s
concerto in Eb major,
Hummel’s Concerto
a Trombaprincipale (1803)
was written in the key of
E major for atrumpet
pitched in E, not
E≤. This difference
of key proved tobe quite
a conundrum for
trumpeters and music
publishersin the
twentieth century. The
first modern edition,
publishedby Fritz Stein
in 1957, transposed the
concerto down onehalf
step into the key of
E≤ to make it more
playable on atrumpet in
Bb, which had become the
standard instrumentfor
trumpeters by the middle
of the twentieth
century.Armando Ghitalla
made the first recording
of the Hummel in1964 in
the original key of E (on
a C-trumpet) after
editinga performing
edition in 1959 in the
transposed key of
E≤ (forBb trumpet)
published by Robert King
Music. Needless tosay,
the trumpet had changed
dramatically in terms of
design,manufacture, and
cultural status between
1803 and 1957, andthe
notion of classical solo
repertoire for the modern
trumpetwas still in its
formative stages when the
Hummel concertowas
reborn.These factors
conspired to create
confusion regarding
thenumerous
interpretative challenges
involved in performingthe
Hummel concerto according
to the composer’s
originalintentions on
modern trumpets. For
those seeking the
bestscholarly
information, a facsimile
of Hummel’s
originalmanuscript score
was published in 2011
with a separatevolume of
analytical commentary by
Edward H. Tarr,1 whoalso
published the first
modern edition of the
concertoin the original
key of E major (Universal
Edition, 1972).This
present
edition—available
in both keys: Eb and
Emajor—strives to
build a bridge between
scholarship
andperformance traditions
in order to provide
viable options forboth
the purist and the
practitioner.Following
the revival of the Haydn
trumpet concerto, acase
could be made that some
musicians were
influencedby a type of
normalcy bias that
resulted in
performancetraditions
that attempted to make
the Hummel morelike the
Haydn by putting it in
the same key,
insertingunnecessary
cadenzas, and adding
trills where they
mightnot belong.2 Issues
concerning tempo and
ornamentationposed
additional challenges. As
scholarship and
performancepractice
surrounding the concerto
have become betterknown,
trumpeters have
increasingly sought to
performthe concerto in
the original key of E
major—sometimes
onkeyed
trumpets—and to
reconsider more recent
performancetraditions in
the transposed key of
Eb.Regardless of the key,
several factors need to
be addressedwhen
performing the Hummel
concerto. The most
notoriousof these is the
interpretation of the
wavy line (devoid of
a “trâ€
indication), which
appears in the second
movement(mm. 4–5
and 47–49) and in
the finale (mm.
218–221).
InHummel’s
manuscript score, the
wavy line resembles a
sinewave with wide,
gentle curves, rather
than the tight,
buzzingappearance of a
traditional trill line.
Some have argued that
itmay indicate intense
vibrato or a fluttering
tremolo betweenopen and
closed fingerings on a
keyed trumpet.3 In
Hummel’s1828 piano
treatise, he wrote that a
wavy line without a
“trâ€sign
indicates uneigentlichen
Triller oder den
getrillertenNoten
[“improperâ€
trills or the notes that
are trilled],
andrecommends that they
be played as main note
trills that arenot
resolved [ohne
Nachschlag].4
Hummel’s piano
treatisewas published
twenty-five years after
he wrote the
trumpetconcerto, and his
advocacy for main note
trills (rather thanupper
note trills) was
controversial at the
time, so trumpetersshould
consider all of the
available options when
formingtheir own
interpretation of the
wavy line.Unlike Haydn,
Hummel did not include
any fermatas
wherecadenzas could be
inserted in his trumpet
concerto. The endof the
first movement, in
particular, includes
something likean
accompanied cadenza
passage (mm.
273–298), a
featureHummel also
included at the end of
the first movement ofhis
Piano Concerto No. 5 in
Ab Major, Op. 113 (1827).
Thethird movement
includes a quote
(starting at m. 168)
fromCherubini’s
opera, Les Deux
Journées (1802), that
diverts therondo form
into a coda replete with
idiomatic fanfares
andvirtuosic figuration.5
Again, no fermata appears
to signal acadenza, but
the obbligato gymnastics
in the solo trumpetpart
function like an
accompanied cadenza.Other
necessary considerations
include tempo choicesand
ornamentation. Hummel did
not include
metronomemarkings to
quantify his desired
tempi for the
movements,but clues may
be gleaned through the
surface evidence(metric
pulse, beat values,
figuration) and from the
stratifiedtempo table
that Hummel included in
his 1828 piano
treatise,where the first
movement’s
“Allegro con
spirito†is
interpretedas faster than
the “Allegroâ€
(without a modifier) of
the finale.6In the realm
of ornamentation, Hummel
includes severalturns and
figures that are open to
interpretation. This
editionincludes
Hummel’s original
symbols (turns and
figuration)along with
suggested realizations to
provide musicians
withoptions for forming
their own
interpretation.Finally,
trumpeters are encouraged
to listen to Mozart
pianoconcerti as an
interpretive context for
Hummel’s
trumpetconcerto. Hummel
was a noted piano
virtuoso at the end ofthe
Classical era, and he
studied with Mozart in
Vienna asa young boy.
Hummel also composed his
own cadenzas forsome of
Mozart’s piano
concerti, and the
twenty-five-year-oldcompo
ser imitated
Mozart’s
orchestral gestures and
melodicfiguration in the
trumpet concerto (most
notably in the
secondmovement, which
resembles the famous slow
movement
ofMozart’s Piano
Concerto No. 21 in C
Major, K. 467). $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fun Favorites for Trumpet 3 Trompettes (trio) [Partition + CD] - Facile De Haske Publications
3 Trumpets - easy SKU: BT.DHP-1094837-400 Arranged by Peter Kleine Schaar...(+)
3 Trumpets - easy SKU:
BT.DHP-1094837-400
Arranged by Peter Kleine
Schaars. Trioflex. Book
with CD. Composed 2009.
28 pages. De Haske
Publications #DHP
1094837-400. Published by
De Haske Publications
(BT.DHP-1094837-400).
ISBN 9789043133050.
9x12 inches.
English-German-French-Dut
ch. Trio
Flex is a clever
concept that offers you a
range of possible
options. As well as a
demo version played by
live instruments, the
enclosed CD contains two
play-along tracks for
each piece. One track
features the combo only,
and the other track
features the combo plus
the second and third
parts of the trio. Peter
Kleine Schaars has
arranged ten well-known
numbers for three wind
instruments in various
styles and genres. Play
the melody with the combo
on the CD, or play the
trio version with the
other two recorded parts.
That will sound great in
itself. But you can also
form a trio with two
co-players, and have
yourselves accompanied by
the combo on the CD. No
matterwihich variation
you choose, get ready for
a musical experience that
will amaze your audience!
Trio-Flex
is een uitgekiend concept
dat verschillende
mogelijkheden met zich
meebrengt. De
meegeleverde cd bevat -
naast een live
ingespeelde demoversie -
van elk nummer twee
begeleidingstracks. Op de
ene track hoor je
alleenhet combo en op de
andere track hoor je het
combo met daarbij de
tweede en derde stem van
het trio.Fun
Favorites Peter
Kleine Schaars bewerkte
tien bekende nummers voor
drie spelers in diverse
genres en stijlen. Speel
demelodie met het combo
op de cd, of speel de
trioversie met de
tegenstemmen. Dat klinkt
al geweldig. Maar je kunt
ook met twee medespelers
een trio vormen en je
door het combo op de cd
laten begeleiden. Welke
variant je ook
kiest:bereid je voor op
een muzikale belevenis
die je publiek versteld
zal doen
staan!
Trio-Fle
x ist ein cleveres
Konzept, das verschiedene
Möglichkeiten bietet.
Neben einer live
eingespielten Demoversion
enthält die
beiliegende CD zwei
Mitspielversionen jedes
Stückes. Eine wird nur
von der Combo gespielt,
die andere von der Combo
zusammen mit der zweiten
und dritten Stimme des
Trios.Peter Kleine
Schaars arrangierte zehn
bekannte Titel fu?r drei
Trompeten in
verschiedenen Genres und
Musikstilen. Die Melodie
zur Combo auf der CD
gespielt oder die
Trioversion mit den
Gegenstimmen auf der CD -
das alleine klingt schon
wunderbar. Am
schönsten ist
allerdings, wenn sich
zwei Mitspieler finden
und dann im Trio zur
Combo-Begleitung auf der
CD musiziert werdenkann.
Ganz egal, fu?r welche
Variante man sich
entscheidet: Es wird eine
musikalische Erfahrung,
die jedes Publikum
begeistert!
Trio Flex
est un concept malin qui
offre plusieurs
possibilités de jeu.
Chaque pièce est
enregistrée dans trois
versions : une version
intégrale, jouée
par un vrai combo, suivie
de deux versions
play-along qui
correspondent une version
combo seul et une version
combo avec les les voix 2
et 3. Peter Kleine
Schaars a arrangé dix
morceaux orientés
grand public, de styles
et de genres variés,
pour trois instruments
vent. Il y a plusieurs
options de jeu : jouer la
ligne mélodique avec
l'accompagnement du combo
seul, jouer la ligne
mélodique avec la
version combo voix 2 et
3 ou encore former un
trio avec deux amis
jouant du même
instrument et swinguer
avec les musiciens
ducombo. Quelle que soit
l'option choisie, vous
ferez sensation auprès
du public!
Fun
Favorites è una
pubblicazione basata sul
concetto di TRIO-FLEX; si
può quindi fare musica
con tre strumentisti, da
soli con il combo, o da
soli con il combo e le
parti del trio. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 15 Intermediate Classical Solos Trompette, Piano [Partition + CD] - Intermédiaire Anglo Music
Trumpet and Piano - intermediate SKU: BT.AMP-385-400 Trumpet and Piano...(+)
Trumpet and Piano -
intermediate SKU:
BT.AMP-385-400
Trumpet and Piano.
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2014. 16 pages.
Anglo Music Press #AMP
385-400. Published by
Anglo Music Press
(BT.AMP-385-400). ISBN
9789043135832. 9x12
inches.
English-German-French-Dut
ch. Part of the
ANGLO MUSIC PLAY-ALONG
Series, Philip Sparkes 15
INTERMEDIATE CLASSICAL
SOLOS is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkes 15 EASY
CLASSICAL SOLOS.
Specifically tailored to
suitthe individual
instrument, this book
introduces the developing
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
17th to the 19th century
and cover a wide variety
of styles, from Handel to
Tchaikovsky and from
Clementi to
Brahms. The book
will provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD. Philip
Sparkeâ??s 15
Intermediate Classical
Solos, onderdeel van
de Anglo Music
Play-Along Series, is
bedoeld voor de jonge
instrumentalist die
ongeveer anderhalf octaaf
kan spelen. Het boek is
een vervolg op
Sparkeâ??s 15
EasyClassical Solos
en het sluit qua
instrumentaal bereik en
gebruikte toonsoorten aan
bij het Expert Level van
Hal Leonards Essential
Elements ®, maar
het kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën,
diespecifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Handel tot
Tsjaikovski en van
Clementi tot Brahms.Het
boek bevat waardevol
materiaal ter aanvulling
op elke lesmethode en
wordt geleverd
metpianobegeleiding en
een cd met demo- en
meespeeltracks. 15
INTERMEDIATE CLASSICAL
SOLOS ist als
Ergänzung zur
bewährten ANGLO MUSIC
PLAY-ALONG Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von eineinhalb
Oktaven beherrschen. Es
schlieÃ?t an Sparkes 15
EASY CLASSICAL SOLOS an
undentspricht dem Niveau
des Expert Levels der
ESSENTIAL ELEMENTS
Methode von Hal Leonard,
kann aber auch
unabhängig davon
verwendet werden.
Genau auf jedes
Instrument zugeschnitten,
ermöglichen die
sorgfältig
ausgewählten Melodien
noch mehr Spielerfahrung
mit klassischer Musik.
Die Stücke umfassen
verschiedene
Stilrichtungen und
Komponisten wie z.B.
Händel, Tschaikowsky,
Clementi undBrahms.
Jeder Band bietet
wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen. <
br> 15 Intermediate
Classical Solos, de
Philip Sparke, est un
ouvrage qui sâ??adresse
aux jeunes musiciens,
maîtrisant un peu plus
dâ??une octave et demie.
Il fait suite au recueil
15 Easy Classical
Solos, et a été
conçu pour être
joué en corrélation
avec la série Expert
Level de la collection
Essential Elements
®, publiée par
les éditions Hal
Leonard. Mais il peut
également être
utilisé
indépendamment.Spéc
ifiquement adapté
chaque instrument, ce
volume rassemble quinze
mélodies écrites
par des compositeurs
aussi variés que
Hændel, Tcha kovski,
Clémenti et
Brahms.Comprenant les
parties
dâ??accompagnement de
piano et une version
dâ??accompagnement sur
compactdisc, ces ouvrages
représentent une
source complémentaire
inestimable toute
méthode
pédagogique.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15
Intermediate Classical
Solos is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkeâ??s 15
Easy Classical
Solos.Specifically
tailored to suit the
individual instrument,
this book introduces the
developing player to the
world of the classics by
using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music
fromthe 17th to the 19th
century and cover a wide
variety of styles, from
Handel to Tchaikovsky and
from Clementi to
Brahms.The book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and
ademo/play-along CD. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Claire de Lune (Trumpet and Piano) Trompette, Piano [Set de Parties séparées] - Intermédiaire Santorella Publications
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trumpet solo an...(+)
By Claude Debussy
(1862-1918). Arranged by
Jonathan Robbins. For
Trumpet solo and piano
accompaniment. Set of
parts
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Know Before You Blow - Jazz Modes for Trumpet Trompette [Partition + CD] Santorella Publications
Know Before You Blow - Jazz Modes for Trumpet with CD composed by Chris Tedesco....(+)
Know Before You Blow -
Jazz Modes for Trumpet
with CD composed by Chris
Tedesco. For bb trumpet.
This edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 32
pages. Published by
Santorella Publications
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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