Sergei Taneyev (1856 - 1915) Russie Sergei Ivanovitch Taneiev (Сергей Иванович Танеев), né le 25 novembre 1856 à Vladimir et mort le 19 juin 1915 à Dyudkovo, était un compositeur russe. Né dans une famille de la noblesse, de grande culture, il fut très tôt en contact avec la musique. Son oncle Alexandre Taneiev était lui-même compositeur. Il commença à apprendre le piano à cinq ans, et entra au Conservatoire de Moscou en 1866, l'année même de sa fondation. Il y eut pour professeur Tchaïkovski pour la composition et Nikolai Rubinstein, le fondateur, pour le piano. Il l'acheva en 1875, et fut le premier étudiant à remporter le premier prix dans les deux disciplines.
Cette même année, il fit ses débuts au concert en interprétant au piano le Premier concerto de Brahms, et plus tard le Premier de Tchaïkovski. Celui-ci apprécia beaucoup son jeu, et lui demanda de créer son Second. Après sa mort, Taneiev complétera et créera son Troisième concerto.
Il partit ensuite pour Paris, où il demeura quelques années et rencontra entre autres Ivan Tourgueniev, Gustave Flaubert, César Franck et Camille Saint-Saëns.
En 1878, il devint professeur de composition au Conservatoire de Moscou, et en fut même le directeur de 1885 à 1889. Parmi ses élèves, sur lesquels il eut une importante influence, se trouvaient Alexandre Scriabine, Sergei Rachmaninov, Reinhold Glière, Paul Juon, Nikolai Medtner, Arseni Korechtchenko.
Ami de la famille de Léon Tolstoï, il passa dans leur maison les étés de 1895 et 1896. L'attachement que lui montra Sofia, l'épouse de Tolstoï, correspondant au moment où celui-ci s'éloignait de plus en plus de sa vie familiale, embarrassa leurs enfants et rendit Tolstoï jaloux.
Les dernières années de Taneiev furent assombries par l'alcoolisme. Il mourut d'une pneumonie en 1915, peu de temps après avoir assisté aux funérailles de son élève Scriabine.
(Retracter) ... (lire la suite) Source de l'extrait biographique : Wikipedia
43 partitions trouvées ordonnées par :
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Partitions (expédition des USA)
Sunrise Chorale SATB SATB divisi Musica Russica
(Vos'hod solntsa). Composed by Sergei Taneyev. For SATB choir (div). Choral octa...(+)
(Vos'hod solntsa).
Composed by Sergei
Taneyev. For SATB choir
(div). Choral octavo.
Language: Russian.
Published by Musica
Russica
$3.05 - Voir plus => Acheter Délais: 2 to 3 weeks
Taneyev Sergei: Trio in D major Trio à Cordes: violon, alto, violoncelle [Feuillet] IMC (International Music Co.)
Composed by Taneyev Sergei. Single piece for violin, viola and cello. Published ...(+)
Composed by Taneyev
Sergei. Single piece for
violin, viola and cello.
Published by
International Music Co.
(2) $31.50 - Voir plus => Acheter Délais: 1 to 2 weeks
Trio Op. 21 [Conducteur et Parties séparées] - Intermédiaire Forton Music
Flute trio (2 Fl. Afl.) (2 flutes, alto flute) - Intermediate SKU: FT.FM598(+)
Flute trio (2 Fl. Afl.)
(2 flutes, alto flute) -
Intermediate
SKU:
FT.FM598
Composed by
Sergei Taneyev. Arranged
by Robert Rainford.
Arranged for mixed flute
trio. Score and parts.
Forton Music #FM598.
Published by Forton Music
(FT.FM598).
ISBN
9790570484973.
This
trio, originally for two
violins and viola, is
cast in the standard four
movement form. The first
is busy and intricate,
the second is the
standard minuet and trio,
the third is a lyrical
slow movement, and the
fourth is a lively
finale. Taneyev's love of
counterpoint is evident
throughout the whole
piece. The first flute
part is complicated and
needs nimble fingers, the
lower parts are easier
but still a
challenge.
$25.95 - Voir plus => Acheter Délais: 4 to 6 weeks
Piano Quintet G minor op.30 [Conducteur et Parties séparées] Music Distribution Services
Piano, 2 violins, viola and cello SKU: M7.BRP-47 Composed by Sergei Taney...(+)
Piano, 2 violins, viola
and cello
SKU:
M7.BRP-47
Composed by
Sergei Taneyev. Sheet
music. Score and parts.
Op.30. MDS (Music
Distribution Services)
#BRP 47. Published by MDS
(Music Distribution
Services) (M7.BRP-47).
$79.95 - Voir plus => Acheter Délais: 4 to 6 weeks
Symphony No. 5 in E minor Op. 64 Orchestre Breitkopf & Härtel
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5559...(+)
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5559-07
Urtext . Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Study Score. 208 pages.
Duration 44'. Breitkopf
and Haertel #PB 5559-07.
Published by Breitkopf
and Haertel
(BR.PB-5559-07).
ISBN
9790004213698. 6.5 x 9
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties. Tch
aikovsky's Hamburg
Symphony in the
Urtext.
$26.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Double bass (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-55...(+)
Double bass (3(picc)2.2.2
- 4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.OB-5558-27
Urtext . Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 16 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-27.
Published by Breitkopf
and Haertel
(BR.OB-5558-27).
ISBN
9790004344699. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties. Tch
aikovsky's Hamburg
Symphony in the
Urtext.
$14.95 - Voir plus => Acheter Délais: 3 to 4 weeks
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