| Two Preludes and Fugues and a Toccata Orgue [Partition] Kalmus
Composed by Johann Kuhnau (1660-1722). Masterworks; Organ - Method or Collection...(+)
Composed by Johann Kuhnau
(1660-1722). Masterworks;
Organ - Method or
Collection. Kalmus
Edition. Form: Fugue;
Prelude. Baroque;
Masterwork. Book. 20
pages. Kalmus Classic
Edition #00-K09085.
Published by Kalmus
Classic Edition
$6.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Kuhnau: Suite In A Minor Guitare Music Sales
Guitar SKU: HL.14018242 Composed by Johann Kuhnau. Music Sales America. C...(+)
Guitar SKU:
HL.14018242 Composed
by Johann Kuhnau. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV950209.
Published by Music Sales
(HL.14018242).
$10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 3 Motets Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5343 Along with an Appendix of Doubtful ...(+)
Chorus a cappella SKU:
BR.CHB-5343 Along
with an Appendix of
Doubtful Attribution -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Chor-Bibliothek
(Choral Library). Motet;
Baroque;
Renaissance/early
Baroque. Sheet Music.
Breitkopf and Haertel
#CHB 5343. Published by
Breitkopf and Haertel
(BR.CHB-5343). ISBN
9790004412732. 7.5 x 10.5
inches.
German. Johann
Kuhnau's extant vocal
works will be fully
complete in the Breitkopf
& Hartel catalogue in
coming years. These are
cantatas as a rule, but
at least works with
instrumental
accompaniment. The Three
Motets in this volume are
therefore unique,
including in addition to
the well known Tristis
est anima mea, also the
two other extant Kuhnau
motets Ach Gott, wie
lasst du mich verstarren,
as well as Gott hat uns
nicht gesetzt zum Zorn.
Each one, of five parts
(with the tenor or canto
part doubled), these
masterpieces round out
the picture of Johann
Kuhnau, Johann Sebastian
Bach's predecessor as St.
Thomas cantor. Really
interesting. Kuhnau shows
a real feeling for the
texts he is setting, with
effective chromaticism in
the doleful 'Tristis est
anima mea'.(Jeremy
Jackman, Choir &
Organ). $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| See, the righteous must die (Der Gerechte kommt um) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SSATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3500119 Co...(+)
SSATB choir, 2 oboes, 2
violins, viola, basso
continuo SKU:
CA.3500119 Composed
by Anonymous and Johann
Kuhnau. Edited by
Diethard Hellmann.
Arranged by Johann
Sebastian Bach. German
title: Der Gerechte kommt
um. Sacred vocal music,
Lent and Passiontide,
Holy Week. Set of
Orchestra Parts. Carus
Verlag #CV 35.001/19.
Published by Carus Verlag
(CA.3500119). ISBN
9790007139049. Language:
German/English. Ada
ptation of the motet
Tristis est anima mea,
attributed to Johann
Kuhnau. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. According to
the research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was adapted -
most likely by Bach -
with a new text and the
addition of instrumental
parts. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. From the
research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was
adapted--most likely by
Bach--with a new text and
the addition of
insturmental parts. Score
and parts available
separately - see item
CA.3500100. $65.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| See, the righteous must die (Der Gerechte kommt um) Carus Verlag
Coro SSATB, 2 Ob, 2 Vl, Va, Bc SKU: CA.3500149 Composed by Anonymous and ...(+)
Coro SSATB, 2 Ob, 2 Vl,
Va, Bc SKU:
CA.3500149 Composed
by Anonymous and Johann
Kuhnau. Edited by
Diethard Hellmann.
Arranged by Johann
Sebastian Bach. Organ.
Sacred vocal music, Lent
and Passiontide, Holy
Week. Single Part, Organ.
4 pages. Carus Verlag #CV
35.001/49. Published by
Carus Verlag
(CA.3500149). ISBN
9790007245061. Language:
German/English. Ada
ptation of the motet
Tristis est anima mea,
attributed to Johann
Kuhnau. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. According to
the research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was adapted -
most likely by Bach -
with a new text and the
addition of instrumental
parts. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. From the
research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was
adapted--most likely by
Bach--with a new text and
the addition of
insturmental parts. Score
and part available
separately - see item
CA.3500100. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Daran erkennen wir, dass wir in Ihm bleiben Breitkopf & Härtel
Violin 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-15(+)
Violin 1 (SSATB - 0.2.0.1
- 2.0.0.0 - timp - str -
bc) SKU:
BR.OB-32090-15
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
Erler. David. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-15. Published by
Breitkopf and Haertel
(BR.OB-32090-15). ISBN
9790004350409. 10 x 12.5
inches. The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013). $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Daran erkennen wir, dass wir in Ihm bleiben Breitkopf & Härtel
Viola 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-20 ...(+)
Viola 2 (SSATB - 0.2.0.1
- 2.0.0.0 - timp - str -
bc) SKU:
BR.OB-32090-20
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-20. Published by
Breitkopf and Haertel
(BR.OB-32090-20). ISBN
9790004350430. 10 x 12.5
inches. The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013). $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Daran erkennen wir, dass wir in Ihm bleiben Breitkopf & Härtel
Basso (cello/double bass) (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: ...(+)
Basso (cello/double bass)
(SSATB - 0.2.0.1 -
2.0.0.0 - timp - str -
bc) SKU:
BR.OB-32090-26
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 8
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-26. Published by
Breitkopf and Haertel
(BR.OB-32090-26). ISBN
9790004350447. 10 x 12.5
inches. The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013). $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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