| Jean-Luc Darbellay: 10 Aphorismes (with CD) 2 Saxophones (duo) [Partition] Woodbrass Music SA
By Jean-Luc Darbellay. For Saxophone duet. CD, part(s) and score (in A4 format)....(+)
By Jean-Luc Darbellay.
For Saxophone duet. CD,
part(s) and score (in A4
format). Published by
Woodbrass Music SA
$24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jean-Luc Ponty Collection Violon Hal Leonard
Lead Sheets for 22 Compositions. Performed by Jean-Luc Ponty. Artist Books. Size...(+)
Lead Sheets for 22
Compositions. Performed
by Jean-Luc Ponty. Artist
Books. Size 9x12 inches.
80 pages. Published by
Hal Leonard.
(1)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jean-Luc Gauthier: Eros danseur Flûte et Guitare - Facile Productions OZ
By Jean-Luc Gauthier. For guitar and flute. 2. 10 pages. Published by Les Produ...(+)
By Jean-Luc Gauthier.
For guitar and flute. 2.
10 pages. Published by
Les Productions d'OZ
$7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Contemporary Collection for Violin Solo Violon SATB, Orchestre Ricordi
Violin SKU: HL.50499300 Composed by Various. String Solo. Classical, Cont...(+)
Violin SKU:
HL.50499300 Composed
by Various. String Solo.
Classical, Contemporary.
Softcover. 60 pages.
Ricordi #SY2740.
Published by Ricordi
(HL.50499300). UPC:
884088951306. 9x12
inches. This
collection, the result of
a cooperation with the
Verlag Sonus Mundi,
contains selected solos
for violin by twelve
contemporary composers:
Robert HP Platz, Lucia
Papanetzova, Mela
Meierhans, Klaus Huber,
Jacqueline Fontyn,
Jean-Luc Darbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin and
Yoram Paporis.
This collection,
the result of a
cooperation with the
Verlag Sonus Mundi,
contains selected solos
for violin by twelve
contemporary composers:
Robert HP Platz, Lucia
Papanetzova, Mela
Meierhans, Klaus Huber,
Jacqueline Fontyn,
Jean-LucDarbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin and
Yoram Paporis.
In
Zusammenarbeit mit dem
Verlag Sonus Mundi
entstand diese Sammlung
ausgewahlter Solowerke
fur Violine von
zeitgenossischen
Komponisten: Robert HP
Platz, Lucia Papanetzova,
Mela Meierhans, Klaus
Huber, Jacqueline Fontyn,
Jean-Luc Darbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin und
Yoram Paporis.
Questa raccolta,
frutto di una
collaborazione con la
casa editrice Sonus
Mundi, contiene una
selezione di brani per
violino solo di dodici
compositori
contemporanei: Robert HP
Platz, Lucia Papanetzova,
Mela Meierhans, Klaus
Huber, Jacqueline Fontyn,
Jean-Luc Darbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin e
Yoram Paporis. $31.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion mu...(+)
Voice(s) solo SKU:
BR.EB-8424
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by Klaus Huber. Voice;
stapled. Edition
Breitkopf. You will
need a copy of BG 1002
for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 8 pages.
Duration 20'. Breitkopf
and Haertel #EB 8424.
Published by Breitkopf
and Haertel (BR.EB-8424).
ISBN 9790004185254. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Violoncelle [Conducteur] Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
SKU: BR.EB-9397 (Plainte sur la perte de la reflexion musicale). C...(+)
SKU: BR.EB-9397
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9397.
Published by Breitkopf
and Haertel (BR.EB-9397).
ISBN 9790004188712. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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