Johann Joachim Quantz FLûTE SEULE

Flute and Piano. By Johann Joachim Quantz. Fentone Play Along Books. Play Along. Size 8.25x11.75 inches. Published by Fentone Music.

By Johann Joachim Quantz. For Flute, Piano. Play Along. Sheet Music and Play-Along CD. Published by C.F. Peters.

For Flute and Piano. Composed by Johann Joachim Quantz (1697-1773). Arranged by James Galway. Southern Music. Softcover. 24 pages. Lauren Keiser Music Publishing #SU805. Published by Lauren Keiser Music Publishing

No. 1, 2, 3, 4, 5, 6, 8. Composed by Johann Joachim Quantz (1697-1773). Woodwind Solo. Classical. Softcover. 80 pages. Forberg Edition #F95090. Published by Forberg Edition

for Flute and Basso Continuo. By Johann Joachim Quantz. EMB. Size 9x12 inches. 51 pages. Published by Editio Musica Budapest.

Composed by Johann Joachim Quantz (1697-1773). Masterworks; Solo; Solo Small Ensembles; Woodwind - Flute Solo. Kalmus Edition. Baroque; Classical; Masterwork. Part(s). 32 pages. Kalmus Classic Edition #00-K03810. Published by Kalmus Classic Edition

By J. J. Quantz (1697-1773). For Flute. DOWANI 3 Tempi Play Along - Flute. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

Flute, piano

SKU: BR.EB-6723

Composed by Johann Joachim Quantz. Edited by F. Nagel and W Radeke. Solo instruments; Softcover. Edition Breitkopf. Variations; Baroque. Score. 52 pages. Breitkopf and Haertel #EB 6723. Published by Breitkopf and Haertel (BR.EB-6723).

ISBN 9790004169254. 9 x 12 inches.

This edition of the 28 variations on the aria Ich schlief, da traumte mir for flute and bassa continuo by Johann Joachim Quantz, published here for the first time, is based on a manuscript in the Preussischen Staatsbibliothek in Berlin, whose title reads: Solo Traverso cole Basso Achtundzwantzig Variation es uber die Arie Ich schlief da traumte mir del Sigr: Qvanz The high degree which the art of flute playing had reached at that time is very clearly displayed in this set of variations, a form unusual in Quantz's output. For this reason, this work is very suitable as a study as weil as for performance. The realization of the figured bass and the indications of phrasing merely represent one of many possibilities, and are only intended as suggestions. The source is in places full of errors, and these have been tacitly corrected. Frank Nagel, Basel, June 1974.