PARTITIONS GRATUITES : FLUTE
- Rob Ames

(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.

Flute - Easy-Intermediate, Intermediate-Advanced

SKU: YM.GTW01098116

Woodwinds. Score. Yamaha Music Media #GTW01098116. Published by Yamaha Music Media (YM.GTW01098116).

ISBN 9784636981162.

For those who are looking for scores written in the original song keys for wind and brass, here you are!
In this series, 40 popular J-POP songs are transposed for each instrument and can be played in the same keys as the original songs. (For example, if the original song is in C major, the score for trumpet in B-flat is re-transposed and written in D major to play in C major.) It is a great selection for a live session with other instruments such as piano or guitar.
*Please note: the chord names are indicated in real tone notation for all scores in the series.

For C instrument and voice. Format: fakebook (spiral bound). With chord names, vocal melody and lyrics. Jazz. Series: Hal Leonard Fake Books. 448 pages. 9x12 inches. Published by Hal Leonard.

For Two Flutes. Composed by Robert Maggio (1964-). Contemporary. Set of performance scores. With Standard notation. Composed 2014. 8 pages. Duration 2 minutes. Theodore Presser Company #114-41786. Published by Theodore Presser Company (PR.114417860).

By Robert Winn. For Flute. Method. AMA Verlag. All Styles. Level: Beginning. Book/CD Set. Size 9x12. 88 pages. Published by AMA Verlag. ISBN 3932587316.

Flute - Beginner to Advanced Beginner

SKU: FH.FLS01

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/CD. The Frederick Harris Music Company #FLS01. Published by The Frederick Harris Music Company (FH.FLS01).

ISBN 978-1-55440-297-7.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Study in F Major Robert Winn
Learning to Skate Dianne Aitken
Study in C Major Giuseppe Gariboldi
The Yeti Waltz Jamie Thompson
Siren Kathryn Cernauskas
Many and Few Wil Offermans
Study in C Major Giuseppe Gariboldi
Study in C Major Robert Winn
Study in F Major Wilhelm Popp
Study in G Major Christian Cheret
Itchy Feet Oliver Ledbury
Study in G Major Russell Stokes
Study in C Major Hans Koehler
Study in G Major Ernesto Koehler
Study in F Major Giuseppe Gariboldi
Study in C Major Charles Nicholson
Romany Song Philip Sparke
Flute Salad Oliver Ledbury
Cloud Nine James Rae
Study in C Minor Hans Koehler
Study in D Minor Heinrich Soussmann
Study in F sharp Minor Francois Devienne
Hungarian Dance Philip Sparke
Waltzer Oliver Ledbury
One-Line Story Wil Offermans
Groove It! James Rae
Study in E Minor Hans Koehler
Study in B Minor Wilhelm Popp
Study in F Minor Johann Georg Tromliltz
Party Piece Philip Sparke
The Wrong Button! James Rae
Interlude Allen Vizzutti.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

Flute trio

SKU: P2.10022

Composed by Cornelius Boots. Chamber music, 20th century. Published by Potenza Music (P2.10022).

The third part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979)by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The trio is divided into three sections: The Way We Descend--Reflection of Narcissus--Below Nature. Taking a break from Greek myth-nerd terms, this movement introduces chthonic-flavored phrases that elaborate on our descent into the underworld, specifically through dreams. The realm of the underworld can be such a shock to our dayworld, limited, egoic consciousness that it can seem like a violation as Hillman points out, referencing the Greeks: This style of the underworld experience is overwhelming, it comes as violation, dragging one out of life and into the Kingdom that the Orphic Hymn to Pluto describes as 'void of day.' So it often says on Greek epitaphs that entering Hades is 'leaving the sweet sunlight.' (p.49) He elaborates on the differences between dayworld and underworld perspectives: The dream is not compensation but initiation. It does not complete ego-consciousness, but voids it. So it matters very much the way we descend. (p.112) He goes on to describe the various modes in which mythical figures have descended: Ulysses and Aenas to learn; Hercules to take and to test, for example. To act like Hercules, like the hero, in the underworld is to miss the point and cause more problems, the villain in the underworld is the heroic ego, not Hades. (p.113).

(Flute). Composed by J. R. Mcentyre and Harry Haines. Arranged by Rhodes, Tom. For Concert Band, Flute (Flute). Band - Band Methods. Southern Music. Grade 2. 36 pages. Southern Music Company #B329FL. Published by Southern Music Company