PARTITIONS GRATUITES : FLUTE A BEC
CLASSIQUE
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By Various. Arranged by Hans Magolt, Rainer Butz. (Recorder). Schott. Softcover with CD. Size 7.5x10.75 inches. 24 pages. Published by Schott.

Treble Recorder (Recorder)

SKU: HL.49046363

Treble Recorder. Composed by Karel van Steenhoven. Woodwind Solo. Classical. Softcover. 12 pages. Duration 480 seconds. Schott Music #OFB227. Published by Schott Music (HL.49046363).

ISBN 9781540082954. UPC: 842819108238.

Eveni ng Dance - an impression of the Baroque Siciliano. The tenderly melancholic mood, the rocking rhythm and the melodic freedom, generous arc and natural air of the Siciliano are presented here in the context of atonality.

Descant recorder

SKU: HL.49013907

With the Descant Recorder. Edited by Geoffrey Chase. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 20 pages. Schott Music #ED10021. Published by Schott Music (HL.49013907).

ISBN 9790220100383.

Salu t d'amour (Edward Elgar) * The Minstrel Boy (irish) * Men of Harlech (Welsh) * Loch Lomond (Scottish) * The Londonderry Air (Irish) * The Hunt is up (English) * Gavotte-Mignon (Ambroise Thomas) * La Donna e Mobile (G. Verdi) * Largo (G.F. Handel) * Waltz (J. Brahms) * Oradle Song (W.A. Mozart) * Santa Lucia (Neapolitan) * Here's a Health (English) * Poor old Joe (English) * La Paloma (C. de Yradier).

by Dr. William Weiss. For soprano recorder. Classic, ensembles. Level: Intermediate. Book. Solos. Size 8.75x11.75. 64 pages. Published by Mel Bay Pub., Inc.

Composed by Henry Purcell (1659-1695). For descant recorder, treble recorder, tenor recorder, bass recorder. Score and part(s). 30 pages. Published by Universal Edition

Recorder and Piano - Grade 4

SKU: HL.14018198

By Michala Petri. By Ernest Kramer. Edited by Michala Petri. Music Sales America. Classical. Book [Softcover]. Composed 2002. 32 pages. Edition Wilhelm Hansen #WH29965. Published by Edition Wilhelm Hansen (HL.14018198).

ISBN 9788759857366. English-German.

Kra hmer's Variations Brillantes was originally written for the Csakan, an instrument similar to the Recorder. In this edition the original notation has been retained. Scored here for Recorder and Piano (or Harpsichord) accompaniment.

Soprano- and treble recorder and piano or 3 recorders (SAT) and piano ad libitum (SA(T)BFL)

SKU: HL.49002288

Composed by Henry Purcell. Edited by Walter Bergmann. This edition: Folding. Sheet music. Edition Schott. Classical. Individual part. 12 pages. Schott Music #ED 10129-01. Published by Schott Music (HL.49002288).

ISBN 9790220101151. 8.25x11.75x0.05 inches.

SKU: CA.3130800

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann, Peter Thalheimer. Stuttgart Urtext Edition: Bach vocal. Instrumental music based on hymns. Full score. 220 pages. Carus Verlag #CV 31.308/00. Published by Carus Verlag (CA.3130800).

ISBN 9790007181581.

Joha nn Sebastian Bach's recorder parts are amongst the most delightful artistic challenges which baroque music has to offer players of this instrument. In the 25 cantatas and oratorios in which Bach uses the recorder, there are parts with moderate technical demands, but also many where the instrument is at the limits of the performing techniques of the time. Taken as a whole, Bach's recorder parts constitute a body of study material which presents plenty of challenges even for advanced players. This edition is intended to be both a resource for practice and for use in performance. It contains all the recorder parts from Bach's vocal works in Urtext editions in a practical layout. The music text is always given in full, and includes indications of movements where the recorder is tacet. Cue-sized notes help orientation within the scoring. Where necessary additional transposed parts for instruments at different pitches are included, or alternative variants are suggested on ossia staves. The music text matches the sources. The text section includes an introduction and commentary on the individual pieces. The introduction covers the different types of recorder in Bach's time, the body of works and the source material, as well as various specific problems. The commentary includes information about each work, the sources and the approach to editing the music in each case, plus comments on variant readings and tips on performance practice and performing technique.