PARTITIONS GRATUITES : FLUTE A BEC
- OBOE

2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (OB2)

SKU: HL.49027358

Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Separate part, Oboe II. 2 pages. Schott Music #CON152-14. Published by Schott Music (HL.49027358).

By Georg Philipp Telemann. Edited by Ruitz, Manfred. For Alto recorder (f,g)/ Flute, Oboe/ Violin, Basso continuo. Hortus Musicus. SP:SS. TWV 42:e6. Published by Hortus Musicus (German import).

Recorder

SKU: HL.48182823

Composed by Loeillet de Londres. Leduc. Softcover. 26 pages. Alphonse Leduc #AL24498. Published by Alphonse Leduc (HL.48182823).

UPC: 888680871963. 9.0x12.0x0.099 inches.

Loeillet Trio Sonata In G Minor Op 1 No 3 Recorder Oboe & Cello Book.

By Cecily Lambert. For Descant Recorder. Elementary. Published by Forsyth Publications

Recorder and piano

SKU: BR.EB-8609

Urtext. Composed by Antonio Vivaldi. Edited by Martin Nitz. Solo instruments; stapled. Edition Breitkopf.

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

Sonata; Baroque. Score. 28 pages. Breitkopf and Haertel #EB 8609. Published by Breitkopf and Haertel (BR.EB-8609).

ISBN 9790004179956. 9 x 12 inches.

It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works, it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date. This edition is based on a manuscript preserved in the Sachsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice, and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in the manuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change. We wish to thank the directors of the Sachsische Landesbibliothek Dresden for their authorization to publish the work. (Hamburg, Fall 1995 - Martin Nitz)

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (OB1) - intermediate

SKU: HL.49027357

Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Solo part, Oboe I. 2 pages. Duration 7'. Schott Music #CON152-13. Published by Schott Music (HL.49027357).

ISBN 9790001129442.

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

Recorder and Piano - Advanced

SKU: FP.FDD02

Composed by David Dubery. Sheet Music and Books. An evocative piece for treble recorder or oboe and piano inspired by two historic Stockport landmarks. Classical. Collection. Forsyths Publications #FDD02. Published by Forsyths Publications (FP.FDD02).

ISBN 9790570503834.

Vern on Park, Stockport’s oldest park, was created on land donated by Lord Vernon (George John Warren). It was built by poor mill workers who called it pinch-belly park and opened on 20th September 1858. Comprising twenty-one acres, it houses a museum, a bandstand, ornamental fountains, a fernery, rockery, borders and sunken rose garden as well terraced walkways that overlook the river and weir. The piece depicts a solitary walker engrossed in his own thoughts on a winter’s day, the landscape, and the park’s Victorian past.

At the very end of the piece a reminder of the park’s Victorian origins can be detected in a quote from Elgar’s Salut d’amour of 1899, which may well have been played by a band in the bandstand. Stockport market celebrated its 750th anniversary in 2010. It dated back to September 1260 when a Royal Charter allowed Robert de Stokeport, the Mayor, to hold a weekly market within the defensive walls of the Norman Castle on the present site of Castle Yard.

The Glass Umbrella was a popular name given to the 1861 covered market built of timber, glass and iron - nine bays with open sides and a glass canopy. In 1912, one bay was removed to enable electric trams and trolley buses to turn a sharp corner.

The piece depicts a lively market day, the multiculturalism of the present day and the old cries of pick and pay without delay. The bells of St Mary’s Church are depicted by a cascading peel tuned to the ten bells of the church tower, and a fleeting reference to John Wainwright’s famous Christmas hymn Christians Awake, and the Westminster chimes striking the hour from St Mary’s, bring to piece to a conclusion. Separate parts are provided for recorder and oboe.

For Recorder (alto) or Flute. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus the soloist. Published by Music Minus One.