PARTITIONS GRATUITES : 2 HAUTBOIS, PIANO
- Duo

Oboe - early intermediate

SKU: BT.DHP-1033407-401

By Jean Castelain and Michiel Oldenkamp. Écouter, Lire et Jouer. Educational Tool. Book Only. Composed 2003. 24 pages. De Haske Publications #DHP 1033407-401. Published by De Haske Publications (BT.DHP-1033407-401).

ISBN 9789043117531. French.

Jouer avec un partenaire oblige écouter, réagir et répondre d’autres sons. Avec Les Duos 1 and 2, vous aurez votre disposition, de nombreuses compositions simples et originales classées dans l’ordre croissant de difficulté. Les Duos sont idéaux pour faire du jeu deux un véritable plaisir musical.

Composed by Hilary Tann (1947-). 8 pages. Duration 10'. Published by Oxford University Press (OU.9780193858480).

Oboe Duet

SKU: BT.EMBZ8294

EMB Music for Beginners. Educational Tool. Book Only. Composed 1977. 32 pages. Editio Musica Budapest #EMBZ8294. Published by Editio Musica Budapest (BT.EMBZ8294).

Hungarian-English-Germ an-French.

By Gilles Kasic. For oboe and piano. Classical. Grade 1. Score. 31 10 pages. Published by Editions Henry Lemoine

Edited by Albert Andraud, W. Ferling. Performance part for 2 oboes or saxophones (1st oboe part). Approved contest/festival piece for the University Interscholastic League. 47 pages. Published by Southern Music Company.

Oboe, Piano Accompaniment

SKU: HL.14028681

Composed by Esa-Pekka Salonen. Music Sales America. Post-1900. Sheet Music, Instrumental Work. With Text language: English. 32 pages. Chester Music #CH60917. Published by Chester Music (HL.14028681).

UPC: 884088810481. 8.5x11.0x0.094 inches.

Composer's Note Second Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren, oboe and Stefan Bojsten, piano). The work belongs to a planned series of virtuoso duos, “meetingsÃ� �€. The first one (from 1982) is written for clarinet and harpsichord. Formally, Second Meeting is very close to a familiar “theme and variations” category, although there are seven themes, or melodies, all quite closely related. In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra, trying to remain reasonably faithful to the original (a la Ravel, perhaps). The orchestral version is called Mimo 1). Esa-Pekka Salonen.