PARTITIONS GRATUITES : HAUTBOIS
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By Jan Krzywicki. For oboe, piano. Advanced/Professional. Solo part with piano reduction. 40 pages. Duration 16 minutes. Published by Tritone Press & Tenuto Publications

By George Frideric Handel. Edited by Terence Best. For Oboe, Basso continuo. Score; Single Part; Urtext Edition. Published by Baerenreiter-Ausgaben (German import).

Oboe(s) solo

SKU: BR.EB-9240

For Solo Oboe. Composed by Jorg Birkenkotter. Solo instruments; stapled. Edition Breitkopf. Solo concerto; Music post-1945; New music (post-2000). Score. Composed 2013/14. 16 pages. Duration 13'30. Breitkopf and Haertel #EB 9240. Published by Breitkopf and Haertel (BR.EB-9240).

ISBN 9790004185407. 9 x 12 inches.

Belcanto is a term for the Italian art of singing which took its development from the richly ornamented solo vocalism of the early 17th century (nobile maniera di cantare) and dominated European operatic singing until the first half of the 19th century. Complete control over the voice meant not only legato and messa di voce, but also appoggiatura and portamento, as well as virtuoso ornamentation by means of coloratura (canto fiorito). This development towards utmost virtuosity, emulating instrumental playing techniques, led to a mannered, artificial style on the one hand, but on the other also emphasized the physical aspects of interpretation (castrati were considered the ideal belcanto singers). And today? In his essay The Grain of the Voice, Roland Barthes writes: The grain is the body in the voice as it sings, the hand as it writes and the limb as it performs. Initially, he refers to the friction between language and voice in singing, but then transfers his thoughts to the physicality of instrumental music. In this spirit, I went in search of beautiful singing, a beauty which perhaps results in the very place where the grain, the roughness, meaning also physical resistance, are not smoothed over. The oboe seemed very suitable to me for singing with such a physical expressivity, as a very unruly instrument! The backbone of my piece is one single, quasi endless melodic line, consisting of intervals that are constantly pulled apart and contracted again (breathing). Many different actions attach themselves to these notes: coloratura, trills, chords (multiphonics), double flageolets. However, there are not only sound types, but also impulses, repetitions, rhythmic figures and other elements: composed elements of belcanto. In the opera tradition described above, these were improvised ornaments or additions; here they become composed figures which originate with the notes of the melody, but also pull on them, bend them, and charge them with physicality. (Jorg Birkenkotter).

A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by Marguerite Wilder. Habits of a Successful Musician. Music Education. Method book. 72 pages. Published by GIA Publications (GI.G-9143).

(set of parts). By Allesandro Marcello (1669-1747). Edited by R. Hervig / H. Voxman. For Oboe, Orchestra. Musica Rara. Set of parts. 50 pages. Published by Breitkopf and Haertel

Composed by Thomas Eastwood. Score and part(s). With Standard notation. 32 pages. Chanterelle #ZECH 508. Published by Chanterelle

By Mozart/ Schwencke. Edited by Christopher Hogwood. For Oboe, (Flute, Clarinet), violin, viola, cello, piano. Full score and parts. 70 4x16(x) pages. Published by Edition HH Music Publishers . Full score and parts.

(Oboe With Piano Accompaniment)

SKU: HL.48181518

Composed by Eugene Bozza. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL21152. Published by Alphonse Leduc (HL.48181518).

UPC: 888680842055. 9.0x12.25x0.077 inches.

The great Italian Fantasy is a piece composed by Eugene Bozza for Oboe and Piano. Quite difficult, it requires some advanced skills to be executed perfectly. Starting Moderato, it opens with a cadenza which includes some solo Oboe sections and continues with a short and lyrical melody. It closes on a nice rhythmic section in Allegro. Really nice to play and to listen to, Italian Fantasy would make for a fantastic demonstration of your skills and technical abilities during a recital and a concert. Eugene Bozza won different prizes at the Conservatoire de Paris, such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others..