| Selected Studies - Volume 2 Trombone EMB (Editio Musica Budapest)
For Trombone. Arranged by P. Makovecz. EMB. 61 pages. Published by Editio Musica...(+)
For Trombone. Arranged by
P. Makovecz. EMB. 61
pages. Published by
Editio Musica Budapest.
$20.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Selected Studies For Trombone I Trombone EMB (Editio Musica Budapest)
Trombone SKU: BT.EMBZ14143 By Makovecz Pál. Studies & Exercises. Book ...(+)
Trombone SKU:
BT.EMBZ14143 By
Makovecz Pál. Studies
& Exercises. Book Only.
Composed 1997. 52 pages.
Editio Musica Budapest
#EMBZ14143. Published by
Editio Musica Budapest
(BT.EMBZ14143).
English-German-Hungari
an. The collection
of 130 studies published
in two volumes was
compiled with the aim in
mind to meet the demands
of trombone instruction
from the highest classes
of the music schools to
the Academy of Music. lt
was selected from those
'traditional' studies
which played a decisive
role in trombone playing
and instruction at the
turn of the century and
have become the most
frequently performed
studies since then.
However old-fashioned
these studies may seem,
they belong to the best
ones with regard to safe,
smooth technique and the
elaboration of a nice
sound and will definitely
serve their purÂÂpose
in the future as well. On
compiling the volumes, I
have attempted to observe
not only asequence
according to grade of
difficulty but the
variety of characters as
well. I am convinced that
these studies are both
useful and, when
performed sufficiently
colorfully, may
contribute to overcoming
the monotony of technical
exercises. The
articulation sings and
markings of dynamics,
which often differ from
the original, try to meet
this aim.I had already
used this collection of
studies before it was
printed. 1 had to realize
soon that the technical
level of the first pieces
was too high to assure a
smooth transition from
the trombone tutors
written for beginners. As
a result, I found it
necessary to start the
first volume with a
shortened and facilitated
version of some studies.
Since these pieces in
question have been
changed considerably, a *
beside the composer's
name refers to the fact
in each case that they
are arrangements.I
recommend my work to my
past, present and future
pupilsPál
Makovecz. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beethoven's Fifth Symphony Trombone et Piano Santorella Publications
By Ludwig van Beethoven (1770-1827). Arranged by Jonathon Robbins. For Trombone ...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Jonathon Robbins. For
Trombone and piano (all
bass instruments).
Published by Santorella
Publications
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 14 Characteristic Studies Trombone Carl Fischer
Chamber Music trombone SKU: CF.W2687 For Trombone. Composed by Jea...(+)
Chamber Music trombone
SKU: CF.W2687
For Trombone.
Composed by Jean-Baptiste
Arban. Edited by Alan
Raph. SWS. Collection -
Performance. With
Standard notation. 32
pages. Carl Fischer Music
#W2687. Published by Carl
Fischer Music (CF.W2687).
ISBN 9781491150955.
UPC: 680160908455. 9x12
inches. This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trombone, edited by
Alan Raph, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) willend.
There are things which
appear clear enough when
stated verbally but which
when writtendown on paper
cause confusion, seem
obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech norword can
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level
ofperfection, should
above all things, always
try to hear good music
well interpreted.
Theymust seek out, among
singers and
instrumentalists, the
most illustrious models,
and by doingthis purify
their taste, develop
their sentiments, and
bring themselves as near
as possible tothat which
is beautiful. Perhaps
then the innate spark
which may someday be
destined todemonstrate
their own talent, will
reveal itself and render
them worthy of being, in
their turn,cited and
imitated in the
future. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Trombone with Piano reduction Trombone et Piano - Avancé Cherry Classics
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced SKU:
CY.CC3136 Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches. This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers. $40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pledge for Bass Trombone and Piano Trombone basse et Piano - Intermédiaire Cherry Classics
Bass Trombone and Piano - intermediate SKU: CY.CC2642 Composed by Shane L...(+)
Bass Trombone and Piano -
intermediate SKU:
CY.CC2642 Composed by
Shane Lamb. Contemporary.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2642).
Pledge was
commissioned for an all
American composers
concert in April 2010
during the Butler School
of Music's Second Annual
Research Week. The piece
was inspired by the
composer's own feelings
regarding America as well
as the reputation the
country has acquired
throughout the world.
This piece questions
where the nation will go
from here, and what the
future may hold for its
citizens. To compose the
Bass Trombone melody for
the A section of the
piece he set the text of
the Pledge of Allegiance
to music, resulting in a
singing, syllabic
style.
The work
(all in bass clef) is
about 4 minutes in length
and can be performed by
intermediate (taking the
lower octave option bars)
to moderately advanced
performers. The range of
the Bass Trombone part
goes from a pedal G to an
optional high B-flat
above the staff. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Trombone Virtuoso an Advanced Method Trombone - Intermédiaire/avancé Cherry Classics
Composed by Simone Mantia. Arranged by John Van Deursen. For Trombone. Method. I...(+)
Composed by Simone
Mantia. Arranged by John
Van Deursen. For
Trombone. Method.
Intermediate/advanced.
Coil bound book.
Published by Cherry
Classics
$27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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