PARTITIONS GRATUITES : TROMBONE
- Main. 

By Richard Strauss (1864-1949). Arranged by Jeremy Kempton. For 6 Trombone Ensemble with optional Timpani and Organ. Romantic. Advanced. Score and parts. Published by Cherry Classics

Solo trombone

SKU: AP.0018B

Trombone. Composed by John Williams. Instrumental Series. Movies. Instrumental solo songbook (no accompaniment). With black & white photos. 20 pages. Alfred Music #00-0018B. Published by Alfred Music (AP.0018B).

ISBN 9780769200132. UPC: 029156635027. 9x12 inches. English.

Titles are: Ben's Death/Tie Fighter Attack * Cantina Band * The Emperor Arrives * Han Solo and the Princess * The Imperial March * Jedi Rocks * Luke and Leia * May the Force Be with You * Parade of the Ewoks * Princess Leia's Theme * Star Wars (Main Theme) * The Throne Room * Victory Celebration * Yoda's Theme. Compatible instrument books, solo or mix-and-match. Available for: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, and Violin.

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, is giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Nick Lane will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Trombone" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Nick Lane Nick Lane has been active in the Los Angeles music scene for over twenty five years. He joined Maynard Ferguson's Band after graduating from Bostones Berklee College of Music and remained on the road for three years before moving to Los Angeles. He continued touring while based in L. A. with Rod Stewart, The Who and Tom Petty and The Heart Breakers. Nick Lane continues to perform with Etta James, Chicago, Shakira, Alejandro Sans and has even performed with Jennifer Lopez. Nick has also been featured in a special PBS broadcast about "the blues" with T-Bone Burnett. Nick remains active in the commercial recording fields for movies, television, commercials and has recorded with such Pop artists as; Macy Gray, Tim Mc Graw, Baby Face, Destiny's Child, The Offspring, The Wallflowers, Fast Ball, Green Day, No Doubt, Natalie Merchant, Everclear, Barbara Streisand and Joe Cocker. Nick has recorded with such Jazz artists as; Rick Braun, Jeff Golub, David Benoit, Dave Koz, Kombo, Greg Karukus and Warren Hill. Nick's popular "lounge jazz" CD performed with baritone saxophonist Greg Smith and an organ trio is recorded on the Oakland Stroke Label.

Trombone and Piano - advanced

SKU: CY.CC2695

Composed by Joseph Canteloube. Arranged by Ralph Sauer. French. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2695).

Danses Roumaines by Canteloube are six Romanian folk songs and dances for Piano written in 1930 after folk songs collected by Michel Vulpesco.
The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne

T he movements in order are:
1. Hora de Jalomitza
2. Dame Jeanne (Lady Jean)
3. Les Olteniens sont partis pour faucher
4. Helene (Helen)
5. Hora de la mariee (The Marriage Dance)
6. A Ceinture Rouge (A Red Belt)

About 18 minutes in length, these six movements are suitable for advanced performers.

Tuba or Bass Trombone and Piano - advanced

SKU: CY.CC2826

Composed by Joseph Canteloube. Arranged by Ralph Sauer. French. Solo part and accompaniment. Published by Cherry Classics (CY.CC2826).

Danses Roumaines by Canteloube are six Romanian folk songs and dances for Piano written in 1930 after folk songs collected by Michel Vulpesco.

The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne

The movements in order are:

1. Hora de Jalomitza
2. Dame Jeanne (Lady Jean)
3. Les Olteniens sont partis pour faucher
4. Helene (Helen)
5. Hora de la mariee (The Marriage Dance)
6. A Ceinture Rouge (A Red Belt)

About 18 minutes in length, these six movements are suitable for advanced performers.

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard