| Prelude to Te Deum Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Eighth Note Publications
(El Noi de la Mare). Arranged by David Marlatt. For Brass Quintet. Brass Ensembl...(+)
(El Noi de la Mare).
Arranged by David
Marlatt. For Brass
Quintet. Brass Ensemble -
Quintet; Part(s). Eighth
Note Publications.
Christmas; Latin;
Multicultural; Winter. 20
pages. Published by
Eighth Note Publications
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Situation Update, Suite for Trombone and Piano Trombone et Piano - Avancé Cherry Classics
Trombone and piano accompaniment - advanced SKU: CY.CC2890 Composed by Da...(+)
Trombone and piano
accompaniment - advanced
SKU: CY.CC2890
Composed by David Fetter.
Contemporary. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2890).
David Fetter's
brilliant new work
Situation Update - Suite
for Tenor Trombone and
Piano is written in three
contrasting movements
totalling almost 11
minutes in length: 1.
Swift 2.
Longing 3. Exit
Music Swift is marked
Intense and is very
rhythmic and angular.
Longing is a beautiful
lyrical movement marked
Cantabile and Exit Music
is marked Lively mixing
chromatic, lyrical and
syncopated segments,
ending in a giant
climax. Both the solo
and accompaniment parts
are written for advanced
performers. The
work's premier was
performed in 2015 by
retired Principal
Trombonist of the Boston
Symphony, Ronald Barron
and accompanied at the
Piano by Pianist Larry
Wallach. Here is what
Mr. Ewazen has said about
Situation Update: I
had the pleasure of
hearing Ron Barron play
David Fetter's exciting
and virtuosic new work
for Trombone and Piano,
Situation
Updateâ€Â.
David's music allows the
Trombonist to sing and
soar in 3 contrasting
movements filled with
vivid colors, beautiful
and expressive harmonies,
and a wonderful flowing
rhythmic energy. The
outer movements crackle
with energy,
showcasing the amazing
technique of soloist Ron
Barron, as the melodic
line shifts and changes
with playful abandon,
while the middle movement
is heartfelt and lyrical,
with beautiful melodic
lines, supported by
resonant, gorgeous
harmonies. The work is a
real tour de force
and rightly deserves
to take its place as a
significant addition to
the Trombone
repertoire.. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Trombone with Piano reduction Trombone et Piano - Avancé Cherry Classics
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced SKU:
CY.CC3136 Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches. This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers. $40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Romance oubliee (Forgotten Romance) for Tuba or Bass Trombone & Piano - Avancé Cherry Classics
Tuba or bass trombone and piano - advanced SKU: CY.CC2895 Composed by Fra...(+)
Tuba or bass trombone and
piano - advanced SKU:
CY.CC2895 Composed by
Franz Liszt. Arranged by
Ralph Sauer. Romantic.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2895).
Liszt composed
the Romance oubliee
around 1844 for Piano. It
was forgotten until he
heard Violist Hermann
Ritter at the first
performance of Wagner's
Der Ring des Nibelungen
at Bayreuth. He fashioned
for Ritter a
transcription of the work
for Viola and Piano as
well as ones for the
Piano, Violin and
Violoncello. In this
short work, the listener
hears the agonies of a
troubled soul, beginning
with a rhapsodic passage,
continuing with a
cadenza-like section,
then a section with
arpeggiated figures,
finally settling into a
peaceful ending. This
4 minute work is
appropriate for advanced
performers. With Mr.
Sauer's arrangement we
now have this lovely
version for Tuba or Bass
Trombone and Piano. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Red Dragonfly Sonata Trombone et Piano Subito Music
Trombone & Piano SKU: SU.32040021 For Trombone & Piano. Composed b...(+)
Trombone & Piano SKU:
SU.32040021 For
Trombone & Piano.
Composed by Amy Riebs
Mills. Brass, Trumpet.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#32040021. Published by
Subito Music Corporation
(SU.32040021).
Trombone &
Piano Duration: 17'
Composed: 2013 Published
by: Amy Mills Music, LLC
…the audience loved
Red Dragonfly. Definitely
a keeper in my
repertoire! Dr. James
Bicigo, Associate
Professor of Trombone,
University of Alaska,
Anchorage Virtuoso piece,
the dramatic first
movement opens with a
Bold statement followed
by the beautiful love
theme. It reaches up to
the Cry of the Heart,
then everything ruptures
and crashes. Now the
trombonist must rebuild
and gain strength through
dramatic cadenzas until
reaching the
recapitulation where the
opening Bold melody is
transformed into a
majestic march in 3/4
time. The love theme
returns, and the movement
ends in triumph. The
second movement is a
setting of the famous
Japanese folksong, Red
Dragonfly. The trombonist
and pianist play the
lovely song amidst the
sound of fluttering wings
that appear and disappear
like memories of the
heart. Thank you to the
Nihon Gakugeki Kyoukai
Foundation for permission
to use the melody in this
trombone sonata. A solo
glissando opens the third
movement in American folk
dance style with tongue
in cheek and twinkle in
both eyes. The subsequent
variations include a
perfect triple canon, a
taste of New Orleans
jazz, and a dramatic
augmentation which spills
into a flashback of the
first movement’s
love theme. This melts
away and we recapture a
glimpse of the Red
Dragonfly melody, this
time growing to the
Triumphant restatement of
the first
movement’s main
theme. And finally, the
exuberant coda drives to
a spectacular ending.
Difficulty Level:
Trombone 6 (Professional)
Piano 5 (Advanced) See
also Red Dragonfly,
Concerto for Trombone and
Band for the version with
band accompaniment. See
composer website for
audio sample. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Finlandia for Trombone Octet Ensemble de Trombones - Avancé Cherry Classics
Trombone Octet - advanced SKU: CY.CC2772 Composed by Jean Sibelius. Arran...(+)
Trombone Octet - advanced
SKU: CY.CC2772
Composed by Jean
Sibelius. Arranged by
Randall Malmstrom.
Finnish Nationalist.
Score and parts.
Published by Cherry
Classics (CY.CC2772).
Finlandia is
the best known work of
the composer, written in
1899 as a covert protest
against Russia's
increasing meddling in
the affairs of
Finland.
The 7-8
minute work is stormy,
rousing and patriotic in
character with a
magnificent climax at the
ending.
The
arrangement for Trombone
octet by Randall
Malmstrom is appropriate
for advanced
performers. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hallelujah Chorus (from Messiah) Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Intermédiaire/avancé Kendor Music Inc.
Composed by George Frideric Handel (1685-1759). Arranged by Arthur Frackenpohl. ...(+)
Composed by George
Frideric Handel
(1685-1759). Arranged by
Arthur Frackenpohl. For
brass quintet. Level 5.
Duration 3 minutes, 45
seconds. Published by
Kendor Music Inc
$13.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Romance oubliee (Forgotten Romance) for Trombone & Piano Trombone et Piano - Avancé Cherry Classics
Trombone and piano - advanced SKU: CY.CC2863 Composed by Franz Liszt. Arr...(+)
Trombone and piano -
advanced SKU:
CY.CC2863 Composed by
Franz Liszt. Arranged by
Ralph Sauer. Romantic.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2863).
Liszt composed
the Romance oubliee
around 1844 for Piano. It
was forgotten until he
heard Violist Hermann
Ritter at the first
performance of Wagner's
Der Ring des Nibelungen
at Bayreuth. He fashioned
for Ritter a
transcription of the work
for Viola and Piano as
well as ones for the
Piano, Violin and
Violoncello. In this
short work, the listener
hears the agonies of a
troubled soul, beginning
with a rhapsodic passage,
continuing with a
cadenza-like section,
then a section with
arpeggiated figures,
finally settling into a
peaceful ending. This
4 minute work is
appropriate for advanced
performers. With Mr.
Sauer's arrangement we
now have this lovely
version for Trombone and
Piano. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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