PARTITIONS GRATUITES : ORGUE
BAROQUE
- I Can

Organ

SKU: HL.49006858

Composed by Frank Michael Beyer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 36 pages. Duration 19'. Schott Music #ED 6990. Published by Schott Music (HL.49006858).

ISBN 9790001073615.

Band 3. Pr0ambeln, Fugen, Fantasien, Canzonen und Toccaten. By Scheidemann, Heinrich. Edited by Werner Breig. For Organ. Collection; Playing Score (paperbound). Published by Baerenreiter-Ausgaben (German import).

Organ Solo. By Louis Vierne. Editions Durand. Size 8.8x11.8 inches. 44 pages. Published by Durand.

By Fred Bock. Fred Bock Publications. Size 9.3x12 inches. Published by Fred Bock Music Company.

(Recercari, et Canzoni franzese (Rom, Zannetti, 1615, 21618)). By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge; Kenneth Gilbert. For Organ/Piano/Harpsichord. Orgel- und Clavierwerke, Band I.1 (Neuausgabe). Playing Score; Urtext Edition (paperbound). Published by Baerenreiter Verlag

Organ

SKU: ST.EC65

Composed by Various. Edited by John Caldwell. This edition: Collected Editions. Library Volumes. Early Tudor Organ Music. Collection. Stainer and Bell Ltd. #EC65. Published by Stainer and Bell Ltd. (ST.EC65).

ISBN 9780852499719.

EECM 65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).

The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. Containing music exclusively from Add. MS 29996, EECM65 includes updated composer biographies compiled by David Mateer, and introductory notes for the two volumes on cantus firmus techniques and metrical structure, counterpoint and musica ficta, alternatim practice, and an historical account of the early English organ.

In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.