PARTITIONS GRATUITES : ORGUE
- Michelle Michelle

SKU: HL.48184627

UPC: 888680840297. 9.0x12.0x0.224 inches.

Michel Corrette: Livre d'Orgue Vol.3, Part 1 (Organ).

SKU: FZ.50510

ISBN 9790049505109. 24.00 x 33.00 cm inches.

This facsimile of an original by Michel Corrette is part of our French classical music collection. Pieces pour l'orgue dans un genre nouveau, a l'usage des Dames Religieuses et a ceux qui touchent l'orgue. Avec le melange des jeux et la maniere d'imiter le tonnerre. Edition : Paris, (s. d. = 1787). Presentation: Edition - Terminology - Registrations - Ornamentation. These organ pieces, largley written in late eighteenth century style, are technically quite easy. They are therefore ideal for young musicians studying the organ.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: HL.48184799

Michel Corrette: Livre d'Orgue Vol.3, Part 2 (Organ).

SKU: FZ.50529

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard.
Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult.
Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise.
Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'.
This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.