Claude Gervaise FLUTES à BEC ET CORDES
CLASSIQUE

By Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, And John Dowland. Arranged by Andrew Dabczynski. Music by Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, and John Dowland / arr. Andrew Dabczynski. For String Orchestra. String Orchestra. String Explorer. Level: 2 (grade 2). Conductor Score and Parts. Published by Alfred Publishing.

Orchestra

SKU: HL.14008218

Composed by Claude Gervaise. Music Sales America. Classical. Score. Music Sales #NOV090067. Published by Music Sales (HL.14008218).

Orchestra

SKU: HL.49002097

Set of Parts. Composed by Claude Gervaise and Estienne du Terte. Arranged by Paul Hindemith. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 90 pages. Duration 9'. Schott Music #CON76-50. Published by Schott Music (HL.49002097).

ISBN 9790001022446. 8.5x11.75x0.25 inches.

For comparison, Hindemith begins the 'Suite franzosischer Tanze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add on his own little improvisa-tions or ornaments according to his playing skill as it is done with village dance music but even with jazz.The instruments can be freely chosen; this arrangement (piccolo and flute, oboe, English horn, bassoon, trumpet and lute) tries to imitate a group consisting of recorders, shawm, crumhorn, dulcian etc.

By Claude Gervaise (1540-1560). Arranged by Kenneth Singleton. For Concert Band. Grade 2. Score and set of parts. Published by Grand Mesa Music

Orchestra (Picc. * 1 * 1 * Engl. Hr. * 0 * 1 - 1 * 0 * 0 * 0 - Laute - Str.)

SKU: HL.49002096

Score. Composed by Claude Gervaise, Estienne du Terte, and Paul Hindemith. Arranged by Paul Hindemith. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. Composed 1948. 32 pages. Duration 9'. Schott Music #CON76. Published by Schott Music (HL.49002096).

ISBN 9790001022439. UPC: 073999696066. 9.0x12.0x0.126 inches.

For comparison, Hindemith begins the 'Suite franzosischer Tanze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add on his own little improvisa-tions or ornaments according to his playing skill as it is done with village dance music but even with jazz.The instruments can be freely chosen; this arrangement (piccolo and flute, oboe, English horn, bassoon, trumpet and lute) tries to imitate a group consisting of recorders, shawm, crumhorn, dulcian etc.