Claude Gervaise FLUTES à BEC ET CORDES

By Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, And John Dowland. Arranged by Andrew Dabczynski. Music by Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, and John Dowland / arr. Andrew Dabczynski. For String Orchestra. String Orchestra. String Explorer. Level: 2 (grade 2). Conductor Score and Parts. Published by Alfred Publishing.

Orchestra

SKU: HL.14008218

Composed by Claude Gervaise. Music Sales America. Classical. Score. Music Sales #NOV090067. Published by Music Sales (HL.14008218).

By Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, And John Dowland. Arranged by Andrew Dabczynski. Music by Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, and John Dowland / arr. Andrew Dabczynski. For String Orchestra. String Orchestra. String Explorer. Level: 2 (grade 2). Conductor Score. 12 pages. Published by Alfred Publishing.

Concert band - Grade 2

SKU: RM.GERV00116-CO

Composed by Claude Gervaise. Arranged by Jean Claude Amiot. Classical music. Orchestra. Conductor's score. Editions Robert Martin #GERV00116-CO. Published by Editions Robert Martin (RM.GERV00116-CO).

By Claude Gervaise (1540-1560). Arranged by Kenneth Singleton. For Concert Band. Grade 2. Score and set of parts. Published by Grand Mesa Music

By Claude Gervaise / Pierre D'attaignant. Peter Reeve - Author. For 4 Trumpets, Horn, 4 Trombones, Tuba. Just Brass. Renaissance. Sheet Music. Published by Chester Music.

By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor score and set of parts. Duration 4:30. Published by Manhattan Beach Music.

Orchestra

SKU: HL.49002097

Set of Parts. Composed by Claude Gervaise and Estienne du Terte. Arranged by Paul Hindemith. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 90 pages. Duration 9'. Schott Music #CON76-50. Published by Schott Music (HL.49002097).

ISBN 9790001022446. 8.5x11.75x0.25 inches.

For comparison, Hindemith begins the 'Suite franzosischer Tanze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add on his own little improvisa-tions or ornaments according to his playing skill as it is done with village dance music but even with jazz.The instruments can be freely chosen; this arrangement (piccolo and flute, oboe, English horn, bassoon, trumpet and lute) tries to imitate a group consisting of recorders, shawm, crumhorn, dulcian etc.