Edouard Lalo PIANO ET ORCHESTRE

Violoncello (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-23

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: cello part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5520-23. Published by Breitkopf and Haertel (BR.OB-5520-23).

ISBN 9790004338971. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

Violin 1 (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-15

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: violin 1 part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5520-15. Published by Breitkopf and Haertel (BR.OB-5520-15).

ISBN 9790004338940. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

Woodwinds (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-30

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: wind parts. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Set of parts. 176 pages. Duration 35'. Breitkopf and Haertel #OB 5520-30. Published by Breitkopf and Haertel (BR.OB-5520-30).

ISBN 9790004338995. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

Double bass (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-27

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: double bass part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5520-27. Published by Breitkopf and Haertel (BR.OB-5520-27).

ISBN 9790004338988. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

Violin 2 (solo: vl - picc.2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-5520-16

Urtext. Composed by Edouard Lalo. Edited by Christian Rudolf Riedel. This edition: violin 2 part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

The first true final version

Symphony; Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 5520-16. Published by Breitkopf and Haertel (BR.OB-5520-16).

ISBN 9790004338957. 10 x 12.5 inches.

Edouard Lalo's Symphonie espagnole was heretofore inadequately edited: the two first editions (piano reduction and score) differ considerably from one another, since the composer continued to hone his work after the completion of the engraver's master for the piano reduction, and he even made certain compositional additions. Christian Rudolf Riedel's new urtext edition eliminates all these inadequacies and inconsistencies. Moreover, the editor was able to base himself for the first time ever on the previously unknown autograph of the solo part. The discovery of this source was nothing less than sensational. Lalo, who was an outstanding violinist in his own right, had meticulously marked up his manuscript with the help of the arrangement by Pablo de Sarasate, to whom Lalo had dedicated the work and entrusted the world premiere. This new source situation allowed for the preparation of an urtext edition that corresponds throughout to the author's final version. The composer's piano part, which sometimes resembles a short score, was revised by the editor, who rendered it easier to perform and supplemented the ten measures that had been missing until now in the introduction to the fifth movement.As benfits this publishing house, the handy 6x9 inch score is meticulously edited and is a welcome aid to study of the whole works. (Mary Nemet, Strings)

The first true final version.

Orchestra 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set

SKU: AP.36-A162202

Composed by Edouard Lalo. Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A162202. Published by LudwigMasters Publications (AP.36-A162202).

UPC: 659359719493. English.

Édouar d Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set

SKU: AP.36-A162201

Composed by Edouard Lalo. Full Orchestra, Solo Strings with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A162201. Published by LudwigMasters Publications (AP.36-A162201).

ISBN 9798892700856. UPC: 659359871832. English.

Édouar d Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set

SKU: AP.36-A162248

Composed by Edouard Lalo. Full Orchestra, Solo Strings with Ensemble, Solo Violoncello. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A162248. Published by LudwigMasters Publications (AP.36-A162248).

ISBN 9798892700863. UPC: 659359562518. English.

Édouar d Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.