ORCHESTRE

SKU: BR.PB-14610

The study score (,,Studien-Edition) is available at G. Henle Verlag.

ISBN 9790004211144. 10 x 12.5 inches.

Beethoven did not work continuously on this symphony and interrupted his work a couple of times. As the sketches show, he presumably wrote down first ideas in the autumn of 1800.No other autograph material has survived. As Ferdinand Ries, a pupil of Beethoven, bitterly reports, Beethoven gave him the autograph, but it was unfortunately stolen by a friend, out of pure friendship. In April 1803, the composition was premiered publicly, together with the first symphony and the third piano concerto with Beethoven himself as soloist. Although Beethoven's first two symphonies are still influenced by Haydn and Mozart, novelties can already be discovered. The second symphony starts breaking away from traditional forms and lets us surmise the monumentality of Beethoven's innovation. The editor, Armin Raab, critically illuminates the transmission of the work and its sources. He also clears up a wide spread belief in older literature, that this cheerful work might have been composed parallel to the Heiligenstadter Testament. The practical performance material by Breitkopf & Hartel is based on the music text of the New Beethoven Complete Edition and constitutes the authoritative reading of Beethoven research.

SKU: BR.OB-14610-16

The study score (,,Studien-Edition) is available at G. Henle Verlag.

ISBN 9790004336526. 10 x 12.5 inches.

Beethoven did not work continuously on this symphony and interrupted his work a couple of times. As the sketches show, he presumably wrote down first ideas in the autumn of 1800.No other autograph material has survived. As Ferdinand Ries, a pupil of Beethoven, bitterly reports, Beethoven gave him the autograph, but it was unfortunately stolen by a friend, out of pure friendship. In April 1803, the composition was premiered publicly, together with the first symphony and the third piano concerto with Beethoven himself as soloist. Although Beethoven's first two symphonies are still influenced by Haydn and Mozart, novelties can already be discovered. The second symphony starts breaking away from traditional forms and lets us surmise the monumentality of Beethoven's innovation. The editor, Armin Raab, critically illuminates the transmission of the work and its sources. He also clears up a wide spread belief in older literature, that this cheerful work might have been composed parallel to the Heiligenstadter Testament. The practical performance material by Breitkopf & Hartel is based on the music text of the New Beethoven Complete Edition and constitutes the authoritative reading of Beethoven research.

SKU: BR.OB-14610-30

The study score (,,Studien-Edition) is available at G. Henle Verlag.

ISBN 9790004336564. 10 x 12.5 inches.

Beethoven did not work continuously on this symphony and interrupted his work a couple of times. As the sketches show, he presumably wrote down first ideas in the autumn of 1800.No other autograph material has survived. As Ferdinand Ries, a pupil of Beethoven, bitterly reports, Beethoven gave him the autograph, but it was unfortunately stolen by a friend, out of pure friendship. In April 1803, the composition was premiered publicly, together with the first symphony and the third piano concerto with Beethoven himself as soloist. Although Beethoven's first two symphonies are still influenced by Haydn and Mozart, novelties can already be discovered. The second symphony starts breaking away from traditional forms and lets us surmise the monumentality of Beethoven's innovation. The editor, Armin Raab, critically illuminates the transmission of the work and its sources. He also clears up a wide spread belief in older literature, that this cheerful work might have been composed parallel to the Heiligenstadter Testament. The practical performance material by Breitkopf & Hartel is based on the music text of the New Beethoven Complete Edition and constitutes the authoritative reading of Beethoven research.

SKU: BR.OB-14610-15

The study score (,,Studien-Edition) is available at G. Henle Verlag.

ISBN 9790004336519. 10 x 12.5 inches.

Beethoven did not work continuously on this symphony and interrupted his work a couple of times. As the sketches show, he presumably wrote down first ideas in the autumn of 1800.No other autograph material has survived. As Ferdinand Ries, a pupil of Beethoven, bitterly reports, Beethoven gave him the autograph, but it was unfortunately stolen by a friend, out of pure friendship. In April 1803, the composition was premiered publicly, together with the first symphony and the third piano concerto with Beethoven himself as soloist. Although Beethoven's first two symphonies are still influenced by Haydn and Mozart, novelties can already be discovered. The second symphony starts breaking away from traditional forms and lets us surmise the monumentality of Beethoven's innovation. The editor, Armin Raab, critically illuminates the transmission of the work and its sources. He also clears up a wide spread belief in older literature, that this cheerful work might have been composed parallel to the Heiligenstadter Testament. The practical performance material by Breitkopf & Hartel is based on the music text of the New Beethoven Complete Edition and constitutes the authoritative reading of Beethoven research.

SKU: BR.OB-14610-27

The study score (,,Studien-Edition) is available at G. Henle Verlag.

ISBN 9790004336557. 10 x 12.5 inches.

Beethoven did not work continuously on this symphony and interrupted his work a couple of times. As the sketches show, he presumably wrote down first ideas in the autumn of 1800.No other autograph material has survived. As Ferdinand Ries, a pupil of Beethoven, bitterly reports, Beethoven gave him the autograph, but it was unfortunately stolen by a friend, out of pure friendship. In April 1803, the composition was premiered publicly, together with the first symphony and the third piano concerto with Beethoven himself as soloist. Although Beethoven's first two symphonies are still influenced by Haydn and Mozart, novelties can already be discovered. The second symphony starts breaking away from traditional forms and lets us surmise the monumentality of Beethoven's innovation. The editor, Armin Raab, critically illuminates the transmission of the work and its sources. He also clears up a wide spread belief in older literature, that this cheerful work might have been composed parallel to the Heiligenstadter Testament. The practical performance material by Breitkopf & Hartel is based on the music text of the New Beethoven Complete Edition and constitutes the authoritative reading of Beethoven research.

SKU: BR.OB-5232-27

ISBN 9790004334829. 10 x 12.5 inches.

For the present Urtext edition of Beethoven's Symphony No. 2, the editor also consulted certain sources and authentic new variants for the first time; among them are the nonet arrangement made by Beethoven's pupil Ferdinand Ries in 1807, thus with authentic variants. Thanks to his vast knowledge, the editor has uncovered a number of errors and contradictions in the sources. The basic differences with respect to other editions chiefly concern the articulation and dynamics in movements 1, 2 and 4. They can easily be found in the Critical Commentary of the conducting score.

Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006).

SKU: BR.OB-5232-23

ISBN 9790004334812. 10 x 12.5 inches.

For the present Urtext edition of Beethoven's Symphony No. 2, the editor also consulted certain sources and authentic new variants for the first time; among them are the nonet arrangement made by Beethoven's pupil Ferdinand Ries in 1807, thus with authentic variants. Thanks to his vast knowledge, the editor has uncovered a number of errors and contradictions in the sources. The basic differences with respect to other editions chiefly concern the articulation and dynamics in movements 1, 2 and 4. They can easily be found in the Critical Commentary of the conducting score.

Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006).