PARTITIONS GRATUITES : ORCHESTRE
Niveau Avancé, Expert: Grade 7-10 - Ian A

(Pour Contrebasse Et Piano - For Double Bass and Piano). By Wolfgang Amadeus Mozart (1756-1791). For Contrabass, Piano. Collection Richard Dubugnon. Originally For Bassoon And Orchestra. Difficult. Score and part(s). 20 20 pages. Duration 18 minutes, 30 seconds. Published by Gerard Billaudot Editeur

Score Only Concert Band (Score) - Grade 5

SKU: HL.4006125

Composed by Jay Bocook. MusicWorks Grade 5. Concert. Softcover. 44 pages. Duration 405 seconds. Published by Hal Leonard (HL.4006125).

UPC: 888680961510. 9.0x12.0x0.122 inches.

The overture to Giuseppe Verdi's 1862 opera La Forza del Destino (The Power of Fate) has remained standard repertoire for orchestras around the world. In this imaginative work for winds, Jay Bocook pays homage to the mastery of Verdi and begins with the ominous 3-note “fate” theme from the overture. Throughout the piece melodies are recast and harmonies are embellished, culminating in an exhilarating conclusion where the final seven bars quote Verdi's original almost identically. A brilliant addition to the wind band repertoire.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1023256-010

Composed by Emil Nikolaus von Reznicek. Arranged by Wil van der Beek. The Great Classics. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023256-010. Published by De Haske Publications (BT.DHP-1023256-010).

Emil Nikolaus V. Reznicek was born on May 4,1860. Though he was originally destined for ajudicial career, his nature (that of a true musician)soon pointed him in the direction of music. As anorchestral conductor and a highly regarded musicteacher he made his mark in a number of cities,including Mannheim and Berlin. As a composer hesprang to fame with his opera Donna Diana(1894), a lasting success which placed him in theforefront of German composers. The overture toDonna Diana is unique in its freshness and sunnycheerfulness. Wil van der Beek, who has alreadywritten many arrangements of classical pieces forwind band, has maintained the spirit of theoriginal composition.

Die Ouvertüre zur Oper Donna Diana von Emil Nikolaus von Reznicek ist einzigartig in ihrer Frische und sonnigen Fröhlichkeit. Wil van der Beek, aus dessen Feder bereits zahlreiche Transkriptionen klassischer Werke für Blasorchester stammen, erhielt in dieser gelungenen Bearbeitung den Geist der Originalkomposition. Ein Gewinn für jedes Konzertprogramm!

Concert Band - Grade 5

SKU: BT.DHP-1023256-040

Composed by Emil Nikolaus von Reznicek. Arranged by Wil van der Beek. The Great Classics. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023256-040. Published by De Haske Publications (BT.DHP-1023256-040).

Emil Nikolaus V. Reznicek was born on May 4,1860. Though he was originally destined for ajudicial career, his nature (that of a true musician)soon pointed him in the direction of music. As anorchestral conductor and a highly regarded musicteacher he made his mark in a number of cities,including Mannheim and Berlin. As a composer hesprang to fame with his opera Donna Diana(1894), a lasting success which placed him in theforefront of German composers. The overture toDonna Diana is unique in its freshness and sunnycheerfulness. Wil van der Beek, who has alreadywritten many arrangements of classical pieces forwind band, has maintained the spirit of theoriginal composition.

Die Ouvertüre zur Oper Donna Diana von Emil Nikolaus von Reznicek ist einzigartig in ihrer Frische und sonnigen Fröhlichkeit. Wil van der Beek, aus dessen Feder bereits zahlreiche Transkriptionen klassischer Werke für Blasorchester stammen, erhielt in dieser gelungenen Bearbeitung den Geist der Originalkomposition. Ein Gewinn für jedes Konzertprogramm!

(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Lewis Norfleet. Percussion Ensemble. For glockenspiel, xylophone, chimes, 2 vibraphones, two 4.3-octave (low A) marimbas, two smaller 4-octave marimbas, 4 timpani, snare drum, small and large crash cymbals (pairs), bass drum, triangle, gong, tambourine. Note for larger ensembles: If there is a f (13 players). Medium-Advanced. Score and parts on CD-ROM. 18 pages. Duration 3'00 . Published by Tapspace Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe and more. - Grade 5

SKU: CF.SPS45F

Fanfare, Theme and Variants. Composed by Larry Clark. SWS. Carl Fischer Symphonic Performance Series. Full score. With Standard notation. 44 pages. Duration 6 minutes, 48 seconds. Carl Fischer Music #SPS45F. Published by Carl Fischer Music (CF.SPS45F).

ISBN 9780825874420. UPC: 798408074425. 9x12 inches.

This piece is a tribute to the Da Vincian model of creativity. Using a single theme, Larry Clark uses da Vinci's approach to view this theme from every angle. Clark starts with a fanfare, followed by an original theme, then presents a multitude of variations on the themes in different keys, styles and time signatures. You'll find everything from African style to jigs in this incredibly complex piece; well worth the effort for your band.

By Brian Balmages. Symphonic Band. FJH Symphonic Band. Score for this title: B1297S. Extra part for this title: B1297P. Concert Band. Level: 5. Score and Set of Parts. Published by The FJH Music Company Inc.

Orchestra string orchestra - Grade 5

SKU: KJ.SO291C

Composed by Kirt Mosier. String Tracks. Score and parts. Neil A. Kjos Music Company #SO291C. Published by Neil A. Kjos Music Company (KJ.SO291C).

UPC: 8402702688.

Baroque Variants is a string orchestra piece that draws upon the stylings of J.S. Bach but sets these features to modal harmonies and modern rhythms. The motif of the piece comes from Bach's Brandenburg Concerto No. 3. However, while Bach starts his motif with an anacrusis (pick-up), in Baroque Variants this rhythmic idea begins on the beat and is the first thing heard. There is a fugal exposition in the middle of the piece (m. 25) that pays homage to Bach's wonderful counterpoint. The piece then moves into a challenging string quartet texture in m. 48 and comes back with a flurry to end on the original Brandenburg motif.